These are my favourite non-fiction titles read or reviewed (not necessarily published) in 2014. Click the title for a link to the full review where applicable. See the previous post for my top five fiction reads of the year.
Brown Girl Dreaming
I received an advance reader copy of this memoir in verse at ALA Annual in Las Vegas this summer. I had been asking publishing house representatives at various booths about books with diverse protagonists, when a lovely rep for Penguin Young Readers excitedly pressed a copy of Brown Girl Dreaming into my hands. I’d never read anything by Jacqueline Woodson, and a memoir in verse didn’t really sound like my thing, but the rep’s excitement stuck with me, and I took the book home. Then, in November, I was following the National Book Awards on Twitter when the watermelon incident unfolded. I hadn’t yet read Brown Girl Dreaming, but it seemed like time to pick it up. I read the entire book in less than twenty-four hours. Far from being a challenging read, Woodson’s flowing free verse slides down easily, telling the story of a black girl who is born in the North in the 1960s, but grows up at her grandparent’s home in the South at the height of the Civil Rights movement. This beautifully written memoir is both timely and a pleasure to read. I never wrote a review because I didn’t make a single note while I was reading, but I cannot recommend this book highly enough.
Shortly before her thirtieth birthday, artist Ellen Forney was diagnosed with Bipolar I Disorder. Worried that medication would damage her creativity and destroy her ability to earn a living as an artist, Forney resisted treatment until she become so depressed she couldn’t function. Marbles chronicles the trial and error process of finding the right medication to treat her illness, while also exploring the relationship between mental illness and creativity that has plagued so many artists. At the same time, she must come to terms the fact that things she once considered part of her personality and identity are in fact symptoms of her disease. Forney’s evocative black and white images capture the experiences of depression and mania in a way that is entirely different from the many prose novels about the subject.
My Life in Middlemarch (US)/The Road to Middlemarch (UK)
One of my favourite reads of the year, I listened to My Life in Middlemarch as an audiobook, performed by the unsurpassed Kate Reading, who as far as I am concerned can read all of my audiobooks to me forever. Unfortunately for my blog readers, I almost never review audiobooks, since I don’t make any notes while I’m listening. My Life in Middlemarch combines memoir with literary criticism and biography. Writer Rebecca Mead tracks her long relationship with George Eliot’s famous novel from her first reading at the age of seventeen, to more recent revisitations in middle age. With each reread, it is not Middlemarch that has changed, but Mead, who finds her focus shifting to different aspects of this multifaceted novel as she moves through adulthood. Interspersed with her own memoir and musings are reflections on the life of George Eliot, also known as Mary Ann Evans, who herself led a very interesting life that defied social expectations of the period.
In 2007, Will Schwalbe’s mother, Mary Anne, returned from a humanitarian trip to the Middle East with what initially looked like hepatitis, but which turned out to be Stage IV pancreatic cancer. As she began treatment to slow the disease and hopefully prolong her life, mother and son started trading books, and discussing them when he drove her to medical appointments. Their books become a proxy for important conversations about mortality and end-of-life care, helping them navigate the difficulties of Mary Anne’s final months. Packed with wonderful book recommendations, and a great story about a mother-son relationship, The End of Your Life Book Club is especially recommended for those who agree with Mary Anne, that “reading isn’t the opposite of doing; it’s the opposite of dying.”
This true crime mystery set in silent film era Hollywood investigates the unsolved murder of film director William Desmond Taylor, who was killed in his home on the night of February 1, 1922. William J. Mann profiles three actresses who may have been involved in Taylor’s death, including two prominent stars, and reveals the secrets hiding behind Taylor’s cultured facade. Like any true crime writer, Mann believes he has cracked the cold case, but what really sets Tinseltown apart is his grasp of the history and politics of Hollywood. Mann situates Taylor’s murder in the broader context of the scandals that were plaguing the film industry in the 1920s, with particular attention to the damage control done by Adolph Zukor, the CEO of Famous Players-Lasky, the largest film conglomerate of the period. This is a great pick for film lovers and mystery readers alike.
Categories: True Crime
That’s it for me! What were your favourite non-fiction reads of 2014?