“No one is ever going to read this. By the time I’m gone, there won’t be anyone left who can read. So this isn’t for you, future reader who won’t exist. It’s for me.”
Humanity has been devastated by wave after wave of attacks from the Others, disembodied aliens who have come to…well no one really knows what their goals are. Why would a disembodied consciousness need a planet? But Evan Walker—part human, part alien Silencer—knows that in four days, on the spring equinox, the Silencers will be called home to the mother ship, and the next wave of destruction will begin. The remaining survivors, Cassie, Sam, Zombie, Ringer, and Megan are almost out of time.
The Last Star opens on a priest, holed up in a series of caves in Ohio with some of the remnants of humanity. He says mass for the last time, having run out of wine and bread to serve as the host. The language of a Revelations-style apocalypse is worked throughout this final installment of the series, an on-going motif that helps evoke an atmosphere of imminent doom. In The 5th Wave, bodies as battlefields and cockroaches were the choice images, while rats and the silver thread connecting people featured heavily in The Infinite Sea. Here the motif is faith in its many forms; who and what do we trust or believe in at the end of the world?
From there, Yancey divides the story into four sections, one for each of the remaining days before the next phase of attacks begins. He continues to utilize multiple perspectives, often shifting between voices at key moments, but striking a better balance than he achieved in The Infinite Sea. Cassie’s voice in The Last Star is snarkier, more on edge. Writing in her journal, she tries to use humour to diffuse the almost unbearable tension, but it only serves to highlight the desperateness of the situation. Evan has a plan to use the fact the Silencers are being called in to strike back at the Others, but Cassie worries about all the many unknowns that could derail the plan. So many of their assumptions have already been overturned, and their reunion with Ringer only serves to further emphasize that fact. Yancey’s imagination remains gritty and horrific.
The 5th Wave was probably one of my favourite reads of 2013, though it didn’t make my top five, in large part due to a gross scene in which Cassie says no and Evan proceeds anyway. As I put it at the time, “authors, having your heroine say NO and your love interest ignore her IS NEVER ROMANTIC.” In The Last Star it was Ringer’s situation that bothered me on a number of levels, the least spoilery of which was Zombie’s ongoing crusade to get her to smile for him, just once. The intention was likely to show that Zombie cared about making Ringer happy, but forcing women to smile is loaded with cultural baggage. Apparently even the end of the world doesn’t excuse women from smiling for men. In the end, I couldn’t get on board with either of the series’ romances.
Like many YA series, The Last Star features an epilogue. As usual, I kind of wished I hadn’t read it. After such a gritty series, Yancey’s efforts to evoke some sense of hope feels forced and cliché. In terms of plot, this is a fairly strong conclusion that improves upon the scatteredness of The Infinite Sea, but the series struck enough sour notes along the way to leave me with mixed feelings.