ISBN 978-1-101-88672-4
“I’m grateful for Themis, to be in her company every day. I feel drawn to her. She isn’t of this world either. She doesn’t belong here any more than I do. We’re both out of place and out of time, and the more I learn about her, the closer I feel to understanding what really happened to me.”
Almost a decade has passed since the events of Sleeping Giants, when Rose Franklin and her team hunted down and assembled the pieces of the giant alien robot known as Themis. Rose has dedicated her time to studying Themis, and Kara and Vincent have continued to try to master operating her. Then another robot materializes in the middle of London, and the government’s response inevitably leads to a deadly confrontation. The appearance of Hyperion also drives home how little the Earth Defense Corps really knows about Themis’ combat capabilities. And that knowledge will be more necessary than ever when more robots begin to materialize around the globe, in the world’s most populous cities. The aliens know that humanity has found Themis, and they are not happy about it.
The structure of Waking Gods continues in the interview format Sylvain Neuvel used with great success in Sleeping Giants, with the unnamed character who I always think of as the Interrogator resuming his contact with the Earth Defense Corp after a long silence. Neuvel continues to work this technique, for example by having General Govender practice his speech to the UN General Assembly for the Interrogator before he delivers it. This in fact makes for a more interesting scene than simply witnessing the speech directly, as we gain insight into the Interrogator through the changes he suggests. However, as the situation on Earth descends into chaos, the narrative structure devolves in parallel, taking on more of a transcript style than an interview format. Everything is falling apart, and the style mimics that. We do, however, find out more about the mysterious Interrogator, and his even more mysterious friend Mr. Burns.
It has been nine years since Rose Franklin returned from the dead, mysteriously missing three years of her life and memories. For all that time she has struggled with what this rebirth means, whether she is really Rose Franklin, or merely a copy with some of her memories and knowledge. That doubt has been eating away at her stability for nearly a decade, but when the robots begin to appear, and Themis is called into action, it is the world that has become unstable, and Rose who must hold steady in the face of the unknown. Her development is one of the most interesting aspects of this series.
One of the more disturbing plotlines picks up a dangling thread from Sleeping Giants. Before being ousted from the Earth Defense Corps, geneticist Alyssa Papantoniou harvested ova from Captain Kara Resnick without her knowledge or consent. Kara has never been informed about this violation, because those who knew about it decided that the situation had been taken care of with Alyssa’s removal. When it turns out that Alyssa may have had time to act on her plans before her ouster, they continue to delay telling Kara what was done to her as they try to confirm whether or not Alyssa succeeded. If I can get a little bit spoilery here for the remainder of this paragraph… I absolutely loathe plotlines where women who are childless by choice are forced into motherhood. And I especially hate the implication that their choice was just due to some sort of damage, and really they would be great mothers. In short, I really did not enjoy how Kara’s character was developed in this volume.
In Waking Gods, the genre elements of Sleeping Giants are intensified, and the plot becomes more fast-paced. There is now no question that Themis has alien origins, or that aliens visited earth long ago, and that some of them stayed behind. Waking Gods explores the fallout of these conclusions, but also the more dramatic effects of the aliens becoming aware of how humanity has developed since their last contact. At the same time, the aliens are not significant characters, since this is really an exploration of what it means to be human. Although the duology stands well together, the epilogue hints at the possibility of further adventures.
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