“Some adventures require nothing more than a willing heart and the ability to trip over the cracks in the world.”
Once upon a time, twins Jacqueline and Jillian Wolcott opened a trunk in their attic, and found an impossible staircase that led down, down, down, to a magical world called The Moors. A world where Jack didn’t have to be the perfect girly girl for her mother, and Jill didn’t have to be the sports-loving tomboy standing in for an absent son. But still a world where they would have to be polar opposites in a different way, choosing between The Master and Dr. Bleak, the vampire, and the mad scientist. If they still have one thing in common, it is that they want to stay on the Moors forever. But we all know that doorways come calling when you least expect them.
Every Heart a Doorway was a fan favourite last year, and went on to win the Nebula Award for Best Novella. I’ve seen very few complaints about it, but I do remember some laments about the fact that it was not in fact a portal fantasy, but rather the aftermath of one. Down Among the Sticks and Bones scratches that itch, while also further developing Jack and Jill’s backstory, and how they got to Eleanor West’s Home for Wayward Children. Getting a better look at their family background is particularly enlightening, and indeed proves to be a main theme of the novella.
Down Among the Sticks and Bones is very much about relationships between parents and their children, the delicate balance of hopes and expectations, and how easily children can be suffocated beneath them. “It can be easy, when looking at children from the outside, to believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own,” writes McGuire, in the voice of someone who clearly remembers. This dynamic not only warps Jack and Jill’s characters, but also their relationship with one another. The Moors is the first place where they can define their own siblinghood, beyond the parameters their parents set out for them, but they find that they don’t really know how. And of course, part of adulthood is defining oneself beyond the boundaries of your family of origin.
If there is one thing to lament about Down Among the Sticks and Bones, it is that the story ends before Jack and Jill arrive at Eleanor West’s school. We don’t get to see their early days there, and nor do we learn more about the interesting system of worlds McGuire has set up. But more will no doubt be revealed with Beneath the Sugar Sky, due out in January 2018.
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