These are my favourite fiction books read or reviewed (but not necessarily published) in 2017. Click the titles for links to full reviews where applicable. Check back later for my top five non-fiction picks of the year.
I first read Katherena Vermette’s novel earlier this year as part of Canada Reads Along 2017. The Break is the heart-wrenching story of a community that has been repeatedly torn apart by violence, as Winnipeg’s indigenous population struggles with the lingering effects of colonization. Through the skillful use of multiple narrative perspectives, Vermette illustrates how trauma accumulates and cascades down through the generations, becoming compounded as those who have been hurt try to raise the next generation of children. When a young indigenous woman is attacked on Winnipeg’s troubled North side, her family gathers around her hospital bed. Four generations of women close ranks, belatedly trying to protect their victimized relative. However, as they struggle to understand what has happened, the spectres of their own traumatic pasts begin to rise, demanding to be acknowledged at last. US readers, this book is coming your way March 6, 2018 from House of Anansi Press.
The Hate U Give
The Hate U Give is a brutal coming-of-age story about the harsh realities that face young black men and women in America. Starr Carter is a girl with a foot in two worlds. By day, she attends Williamson, a suburban prep school where she is one of only two black students in her year. In the evening, she goes home to Garden Heights, the city’s poor, black neighbourhood, where she has lived all her life. She is one person at home and another person at school, because she can’t be too “bougie” in the neighbourhood, or too “ghetto” at school. But the wall she has carefully built between her two selves begins to crumble when she is the only witness to a police officer shooting and killing her childhood friend, Khalil. Thomas’ debut novel is fundamentally about identity, and Starr’s struggle to bring the two halves of herself together. But it is also about families, communities, and building relationships. The strength of this narrative is in the way it balances the hard topics—racism, police violence, gangs, drugs—with themes of family, friendship, justice, and love.
Categories: Young Adult
I’ve owned a copy of this novel for some time without getting around to reading it, but this fall the kind folks at HarperCollins sent me a copy of a new edition illustrated by frequent Gaiman collaborator Chris Riddell (see also The Sleeper and the Spindle). The new edition contains the author’s lightly edited preferred text, and is newly illustrated for the book’s twentieth anniversary. It also appends the short story “How the Marquis Got His Coat Back.” Richard Mayhew is an entirely ordinary London businessman, whose spur of the moment decision to help a young girl in need causes him to slide through the cracks of reality, and into the dark realm of London-Below. But to be honest, Richard Mayhew is the least interesting or memorable part of Neverwhere. He is merely the reader’s access point to a uniquely atmospheric world just sideways from our own. Door is the last scion on a Neverwhere family endowed with unique abilities, and some of the residents of London’s underworld will stop at nothing to catch her and take advantage of her powers. Full of memorable villains, and unusual allies, I can’t believe I waited this long to read Gaiman’s earliest solo novel, but Riddell’s illustrations made it well worth the wait!
The Jane Austen Project
When Rachel Katzman and Liam Finucane arrive in England in 1815, it is by unusual means, and with an even more unusual mission. Sent back in time from a somewhat dystopian near-future, they are charged with identifying the cause of Jane Austen’s untimely demise in 1817 at the young age of 41, and with recovering and bringing back her lost manuscript of The Watsons, as well as her letters to her sister Cassandra. This top-secret mission is known as The Jane Austen Project, and it has one very important rule; they must change the future as little as possible while achieving their objectives, or risk being stranded in Regency England forever. With this highly unusual premise, copy editor and ardent Austenite Kathleen A. Flynn has captured something of Austen’s tone and pacing, without trying to entirely mimic her style. The suspense of the narrative caught me by surprise, and I found myself barely able to put this novel down. This was in spite of the fact that there is a fair bit of set up involved in getting two people believably situated upper-class residents of 1815 London, and then into Austen’s family circle. Rachel is in the unenviable position of flirting with Henry Austen, while also getting to know her partner Liam, who is—awkwardly—posing as her brother for the purposes of the trip. Highly recommended for fans of time travel fiction that is more about the destination than the science of such an endeavour.
Categories: Science Fiction
City of Brass
Despite her abilities as healer, plying her con on the streets of French-occupied Cairo, Nahri has never really believed in magic. But when she stages an exorcism for a disturbed child, she accidentally summons a djinn who claims that she is that last descendant of the Nahids, the former rulers of the hidden djinn city of Daevabad. With murderous ifrits close on their heels, Dara vows to return Nahri to the home of her ancestors. But far from offering safety, Daevabad is a nest of politics that put the streets of Cairo to shame. While Nahri is a canny operator, she is naïve to the rules and traditions of her ancestors. The stand out feature of this novel is the complex dynamic S.A. Chakraborty has created between the different magical beings of this world, and even within the ranks and classes of the djinn themselves. In particular, the shafit—part human djinn—are an underclass poised on the edge of revolt. City of Brass was an utterly gripping novel from start to finish, but the last few pages introduced several plot twists that have me waiting with great impatience for The Kingdom of Copper to be released in 2018. Thanks to the fine folks at Harper Voyager, who provided me with an advance copy of this novel!
Honourable mentions also go out to Leigh Bardugo and Gail Carriger, as I finished reading series of theirs that I started last year. I utterly enjoyed both Crooked Kingdom, and The Parasol Protectorate, but as I’ve named books from those worlds to my top five in previous years, I decided to present a more varied list for those looking for my Top Picks. That’s it for fiction for 2017. Check back later for my non-fiction list!
14 thoughts on “Top 5 Fiction Reads of 2017”
Great picks, Shay! I love the first two – I just read The Break this month and it was great. I can definitely see why there was such a hype surrounding it! And can you believe that I’ve owned Neverwhere for YEARS, like, nearly 20 years, and I still haven’t read it? I need to change that this year, for sure! I tried to get into Six of Crows this month but I read close to 100 pages and couldn’t remember anything that was happening and it just didn’t excite me, but I’m glad you loved it! Here’s to a great 2018!
Hope you enjoy Neverwhere when you finally get around to it. Happy New Year!
The Hate You Give was on my list as well, and I’ve been putting Neverwhere off for years. I have no idea why. This might be the year. Maybe on audio!