Disclaimer: I received a free review copy of this title from the publisher at ALA Annual 2018.
“There comes a certain point with a hope or a dream, when you either give it up or give up everything else. And if you choose the dream, if you keep on going, then you can never quit, because it’s all you are.”
Following the discovery of Lazlo’s strange origin, and Sarai’s fall from the citadel, the fate of Weep rests in the hands of the vengeful Minya. True, Lazlo can command the citadel, but only Minya’s power holds Sarai’s soul in this world. Given form and substance by her sister’s ability, it is almost as if Sarai never died. But Minya wants to take her ghost army into the city of Weep to exact the vengeance she has dreamed of for so long, and she vows that she will let Sarai’s soul evanesce if Lazlo does not comply, leaving him with a terrible choice between saving Sarai, and saving the people of Weep who have welcomed him as if he was one of their own. So many doors to the future, even to other worlds, have opened with Lazlo’s return, but with Minya still trapped in the past, there can be no moving forward without a reckoning.
Between the chapters about our old friends from Strange the Dreamer, Laini Taylor interweaves a new perspective, following sisters Nova and Kora. Living in an icy wasteland where women do most of the hard labour, and it is only a matter of time before their father sells them off in marriage, they dream of the only way out they know. Perhaps, like their mother before them, they will be chosen by the Servants of the Empire. Because everyone has a talent, and the Servants can find it. And if their talents are good enough, and powerful enough, maybe they too will be taken away, never to return. But serving the Empire comes with its own price.
Muse of Nightmares is a seamless continuation from the events of Strange the Dreamer. The first book ended in a tight corner, with Lazlo trapped between Minya’s will for vengeance, and his desire to save Sarai. Getting out of this bind is a bit of a tightrope act, and one that is not without its slips. The perspectives of Kora and Nova seem to have little immediate connection to the situation in Weep, though it is relatively easy to make the connection to the multiple worlds theory revealed by the origins of the Mesarthim given in Strange the Dreamer. While the first volume left these possibilities as a tantalizing backstory, they become more explicit in Muse of Nightmares, peering behind the curtain of the worlds. This was satisfying in some ways, but felt a bit like seeing how the magic trick is performed in others.
To break the deadlock between the original characters, Taylor relies on the strategy of introducing a new, more formidable villain who poses a common problem for the residents of the citadel. Given the godlike powers already possessed by Sarai and her sisters, this is naturally a bit over the top, an almost literal deus ex machina, if you will. Taylor ratchets up the tension in a conflict where the stakes were already impossibly high, and in doing so flattens some of the emotional impact of her tale. Muse of Nightmares provides revelations and closure, but doesn’t quite manage to recapture the magic of Strange the Dreamer.
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