Disclaimer: I received a free review copy of this title from the publisher.
“He was a nobleman, and they were notorious for charming young sailors all the way to heartbreak. He was also the executive officer of this ship. The Navy had no formal ban on relationships within a crew—centuries of space travel had proven the impossibility of stopping people in isolated, close quarters from seeking each other out—but when it crossed ranks there was always the risk of trouble.”
When Executive Officer Liam Blackwood’s ship is put into refit by a reckless space race ordered by his aristocrat Captain, the XO is on the lookout for a new commission when he is approached by Lord Grandview and Lady Riverton. With the quiet blessing of the Emperor, Grandview is ordering an undercover mission to investigate the increasing pirate activity that is threatening the Empire’s trade, and which could compromise the Navy’s supply lines if war with the Sectoids was declared. Fresh from the diplomatic corps, Captain Riverton will need an experienced second-in-command to help lead HMSS Daring’s crew as they develop their façade as a trading vessel, gather intelligence about the pirate threat, and pay their crew with a letter of marque that allows them to seize the pirated cargoes. Blackwood knows just the woman to serve as Quartermaster for such an unusual arrangement, but recruiting her means facing up to his growing feelings for Petty Officer Amelia Virtue.
Bennett R. Coles bends his degree in naval history and fifteen years’ experience in the Royal Canadian Navy to fantastical ends, creating a space Navy that sails on the solar winds, and patrols a vast Empire ruled by a distant Emperor on the home world. Social class clashes with naval rank, creating a complex hierarchy to be negotiated aboard every ship. Having just quietly undermined his previous Captain to ensure that HMSS Renaissance was only damaged and not destroyed by the race to Passagia II, Subcommander Blackwood, who feels he has earned his rank by competence rather than birth, is understandably wary of the cold and aristocratic Sophia Riverton, who likes to play her cards close to the chest. Shipboard relations on Daring are further complicated by the presence of Cadet Highcastle, a high-ranking and cocksure young nobleman who is taking his maiden voyage before heading to the Naval Academy for formal study.
In many ways, Blackwood is just as cocksure as the other nobles he likes to look down his nose at, if perhaps slightly less reckless. While he thinks highly of himself and his abilities, the people around him are constantly having to wake him up to his status, which he easily loses sight of when he gets focused on his own competence. For instance, the crew is being paid in prize money, and if they seize nothing, they get paid nothing. It takes a conversation with his friend Lieutenant Swift to remind him that “what would be a useful sum of money to him would be life-changing for his propulsion officer’s entire family.” His relationship with Amelia is also complicated by the fact that she is a low-ranking officer of common birth, newly promoted to her station. When he is angry with her for an entanglement with Highcastle, it is up to her to risk his wrath and remind him that naval justice would undoubtedly fall short if she were to raise a grievance against a noble-born officer. When he tries to tell her it has nothing to do with rank or title, she responds, “you just don’t see it because you wield both with such unconscious familiarity. Do you really think Lord Highcastle would be punished if he raped a sailor? Do you think you would?” The prospect of a romance between Virtue and Blackwood is fraught by class and rank, and I was not strongly invested in seeing such a dynamic develop.
While Blackwood is portrayed as competent and experienced, I was more interested in Virtue and Riverton. Though Riverton has more experience as a diplomat than a military commander, it was clear from the beginning that she was thinking about the bigger picture in a way that Blackwood was not, and I was rooting for her to find her feet as a commander and realize her vision in a way that I was not engaged by Blackwood as a character. For his part, Blackwood never seems to consider that as Captain, she might have information he is not privy to. I was similarly interested by Amelia, who is figuring out her new role as an officer rather than a common sailor. When we see Amelia from Liam’s point of view, it is often intended to be admiring, yet somehow manages to come off as a bit condescending: “Liam was disgusted at how these men so completely objectified Virtue, but actually found himself admiring how nonchalantly she handled them. It was both painful and fascinating to watch.” Captain Riverton, for her part, easily sees Blackwood’s feelings for Amelia, and is rightfully protective of her. Winds of Marque is clearly set up for a series, and I would be most interested to see how things develop between Sophia and Amelia as they gain in mutual respect and understanding.
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