“Summer queens are fine and fair, with pretty ribbons and flowers in their hair. Winter queens are cold and hard, with frosted crowns made of icy shards.”
Although nearly thirty years old, Lady Everleigh Winter Blair is still a ward of her cousin, Queen Cordelia of Bellona. For more than half her life, ever since her parents were murdered, Evie has lived at the palace, serving as the royal stand-in for whatever luncheons and ceremonies are not deemed important enough for the Queen or her daughters to attend to personally. Apprenticed to the royal jeweler, Evie dreams of using her carefully hoarded savings to return home to Winterwind, her family estate, and live a quiet life far from the intrigues of the court. All she needs is the Queen’s permission, which she hopes to get at a luncheon announcing Crown Princess Vasilia’s engagement to Prince Frederich of Andvari. But Vasilia has plans of her own, and they do not include marriage, or an alliance with Andvari. When Vasilia murders her mother to secure the throne for herself, Evie is driven into hiding, taking refuge with the Black Swan gladiator troupe, owned by the disgraced Serilda Swanson, who was once bodyguard to Queen Cordelia.
Kill the Queen is an adult fantasy with a quasi-medieval, Roman-influenced setting, and a multi-tiered magic system. Evie is a “mutt” with only a hint of magic, despite her royal bloodline, while Cordelia and Vasilia are powerful elemental magiers who wield fire and lightning. Some people are mortals, with no magic at all, but this group is not explored in the book. The world is also populated by morphs, who can transform into other creatures, such as ogres and dragons. However, Evie has also been hiding another special talent for most of her life, an anti-magic, which her mother cautioned her to keep hidden at all costs, lest others seek to exploit her. So while Evie has certain abilities and advantages within this world, she is not a power player, and the arc of this novel is about watching her become one.
Kill the Queen is not primarily a romance, focusing instead on court intrigues and gladiator adventures. But Evie does have a slow burn going on with Lucas Sullivan, the enforcer and head magier of the Black Swan troupe, from the moment that he finds her sleeping on the floor of his house inside the gladiator complex. But both Evie and Sullivan are prickly, secretive people who do not trust easily. This gives their relationship great banter, and a crackling tension, but though this is an adult fantasy, Estep does not deliver so much as a kiss, at least in this first volume of the planned trilogy.
The book’s main villain is Crown Princess Vasilia. Evie has known her since she arrived at Seven Spire as an orphaned child. By the time the book opens, the two women have nothing to do with one another, but once they were friends, and Vasilia betrayed that friendship. Over the course of the book, Evie slowly reveals the form that betrayal took, and the scars it left. She has very few friends, and trusts almost no one at the court. It is only once she arrives at the Black Swan that she considers friendship again, dangerous though it may be to her secrets. The Black Swan has its own intrigues, and unable to stay out of them, Evie finds the best friend she never had in Paloma, the troupe’s number one gladiator. Unfortunately, Vasilia herself is a bit flat, coming across as a monologuing psychopath. However, this has interesting consequences for Evie’s character, and combined with the fact that she is not set to be the series villain, it is a relatively minor complaint.
I listened Kill the Queen in audio form, narrated by the consistently excellent Lauren Fortgang, who also performed Leigh Bardugo’s Grisha trilogy, and was part of the cast for the audio version of Six of Crows as well. I’m now all caught up for the recently released Protect the Prince, so check back for that review soon!
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