“June, I’m the son of the President of the United States. Prince Henry is a figurehead of the British Empire. You can’t just call him my archnemesis… Archnemesis implies he’s actually a rival to me on any level and not, you know, a stuck-up product of inbreeding who probably jerks off to photos of himself.”
As the son of the President, Alex Claremont-Diaz, his sister June, and their best friend Nora Holleran are America’s golden children, beloved by the press, and the perfect political surrogates for President Claremont and Vice President Holleran as they pass through the 2018 midterms and aim for re-election in 2020. But Alex commits a very public faux-pas when he gets into an altercation with his long-time rival, Prince Henry of England, at the wedding of Henry’s older brother, Prince Philip. As the White House and Buckingham Palace fly into damage-control mode, Henry and Alex are forced to fake a public friendship for the press, even while the sparks that are flying behind closed doors are of an entirely different sort. But if they ever want to really be together, they’ll have to come to terms with themselves, their families, and their place in history.
Red, White & Royal Blue is told from the perspective of Alex Claremont-Diaz, the son of America’s first female president, Ellen Claremont, who is divorced from his father, the senator for California, Oscar Diaz. Although college-aged, Alex lives in the White House with his mother while he attends school at Georgetown, and his sister June has returned home after graduation as she attempts to start a journalism career with the baggage of not being taken seriously as a result of her status as First Daughter. Alex is mouthy and over-confident, with a laser focus on going straight into politics after college and becoming the youngest Congressman ever elected. So it maybe isn’t surprising that coming to terms with his sexuality has been on the back burner. After all, “he’s absolutely sure that guys who kissed a Prince of England and liked it don’t get elected to represent Texas.”
The Claremont-Diaz family is, of course, entirely fictional, a made-up successor to the Obama administration, although certain real political figures are mentioned in passing. Ellen Claremont is finishing out her first term, and heading into the 2020 election as her son undertakes a liaison that could provoke an international crisis. The British Royal Family is semi-fictionalized, drawing clear comparisons to the real monarchy without directly copying the family members as characters. McQuiston’s fictional version of the firm is headed by Queen Mary, whose daughter Catherine has withdrawn from public life since her husband, the film star Arthur Fox, died an early death due to pancreatic cancer. Her three children, heir Philip, and younger siblings Beatrice and Henry comprise the family’s younger generation of the Mountchristen-Windsors.
This book is at heart a light, fluffy romance, but one that also cheekily sends up the problematic aspects of the trope at its center. For example, early in the book Alex complains to his sister June that “royal weddings are trash, the princes who have royal weddings are trash, the imperialism that allows princes to exist at all is trash. Its trash turtles all the way down.” June shoots back, “you do realize that America is a genocidal empire too, right?” I suspect that some people won’t like politics intruding into their fluffy romance in this manner, but I personally found it helped to acknowledge the cognitive dissonance rather than simply ignoring the problems inherent in the trope. Your mileage may vary.
As the book goes on, Henry and Alex develop into frenemies, then lovers, and launch a snappy epistolary romance as they exchange text messages and emails, and try to sneak across the Atlantic to see one another as often as their duties will allow. The sex scenes are a bit more explicit what you would generally find in a YA novel—Red, White & Royal Blue is marketed into the New Adult category—but not actually that graphic overall. It will certainly appeal to fans of m/m YA tales such as Carry On or The Gentleman’s Guide to Vice and Virtue. Most of all, however, this was a perfect bit of fluffy, swoony fun, which was exactly what I needed in the current moment.