“Have you noticed that the doors come for us when we’re young enough to believe we know everything, and toss us out again as soon as we’re old enough to have doubts? I can’t decide whether it’s an infinite kindness or an incredible cruelty.”
In the fifth installment of the Wayward Children series, Seanan McGuire continues the story of Jack and Jill, twin sisters who found a doorway to another world in a trunk in their attic. The door opened onto the Moors, a world under a crimson moon where dark powers hold one another in a constant battle for balance. In Down Among the Sticks and Bones, we followed Jack and Jill through their door, and to their eventual expulsion from the Moors. In Every Heart a Doorway, we witnessed their bloody return to that world, and were left wondering about the consequences. Now Jill has snatched Jack’s body, and the twin sisters are locked in a battle for the future of their world.
At the heart of Come Tumbling Down is the nature of evil and monsters. Meditating on Jill’s deceptively innocent appearance, Christopher reflects that “Something about the way she’d wrapped her horror movie heart in ribbons and bows had reminded him of a corpse that hadn’t been properly embalmed, like she was pretty on the outside and rotten on the inside. Terrifying and subtly wrong.” Jack finds herself trapped inside this “charnel house” of a body, ostensibly identical to her own, and yet terrifyingly different. Coping with her OCD proves to be a particular challenge in these unique circumstances, and yet the battle must go on. Returning to Eleanor West’s school, Jack recruits several of her former classmates to help stop Jill before it is too late.
Thanks to the events of Beneath the Sugar Sky, it is great to have Sumi back amongst our adventurers. We know that sooner or later her door will come for her, and she will go back to Confection, but for now she joins her school friends on yet another forbidden quest. As a character who travelled to a Nonsense world, Sumi gets a lot of the best lines, coming out with bizarre yet accurate comparisons and strikingly observant insights. As someone who would almost certainly find a Logic world behind my own door, I always find her peculiar forthrightness strangely refreshing.
The other adventurers are Cora, mermaid heroine of Beneath the Sugar Sky, and Christopher, lost love of the Skeleton princess, and Kade, Goblin Prince in Waiting, and heir to Eleanor West’s school for wayward children like himself. They are none of them suited to the world of the Moors, but as heroes who once answered the call of their own doors, they are no less ready to answer the call of friend in need. It also hints at a school that might be very different under Kade’s management. Eleanor tries to persuade them from the quest, lamenting “I should have reminded you of the rules when Rini fell out of the sky. No quests. It’s so easy to become addicted to them, and so hard to break the habit once it takes hold.” But heroes are not so easily dissuaded.
Come Tumbling Down also draws some parallels to the previous installment, In an Absent Dream. Just as Lundy and Moon’s friendship is slowly poisoned by inequality and debt, Jack keeps saving Jill, even at a terrible cost to herself, and those around her. True, Sumi “got over” being dead at Jill’s hand with a little help from her friends, but Lundy and Loriel are never coming back. Alexis will never be whole and healthy again, despite her resurrection. The outcome of Chester and Serena Walcott’s petty insistence on differentiating their twin daughters and pitting them against one another plays out on a grander and more terrible stage than those wayward parents could ever have imagined, leading the sisters into a final, fateful confrontation with inevitable casualties.
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