Content Warnings: Substance abuse, self-harm, child abuse, domestic violence.
“He wanted to stay with Sarah, but watching Mr. and Mrs. Jaks slowly dying was brutal. He wanted to believe his mom was sorry, but his dad was always sorry and he still kept doing crap he had to say sorry for. He didn’t want to be a sucker, but he didn’t want to be alone. Everything ached and all the choices felt wrong.”
Old beyond his years, teenage Jared feels responsible for all the adults around him, from his mercurial mom Maggie, to her deadbeat boyfriend Richie, to his lying father and his pregnant step-sister, and the elderly neighbours who helped him out in a time of need, as well as their wayward granddaughter. His mom is estranged from her own family, and his father’s mother has always harboured the belief that he isn’t actually her grandson, but rather the illegitimate son of a Trickster. His only support, his beloved dog Baby, has recently died, and Jared is having a hard time keeping it together for everyone who needs him. He drinks too much, and smokes too much, and sometimes he blacks out. And sometimes he think he sees and hears things, even when he isn’t half-cut. Things that make him wonder if his grandmother might not be crazy after all.
Son of a Trickster starts out slowly, setting the scene on the northern coast of British Columbia, in a town defined by the boom and bust of the resource cycle. The ups and downs in Jared’s life ride upon the unstable temperament of his formidable mom, Maggie, who would do anything to protect her son from the world, but can’t always protect him from herself, or her secrets. By turns fascinating and terrifying, Maggie has carved out a place in the world by sheer force of will, but it is a constant effort to hold that space, and sometimes she lets it all collapse, leaving Jared to pick up the pieces. Jared’s own will is as stubborn as his mother’s, and as the story progresses it becomes evident that there is much he has been refusing to see out of a deep-seated sense of self-preservation.
At first, Jared’s life seems normal, or at least, only abnormal in sadly normal human ways. Slowly but surely, however, little bits of weirdness creep in around the edges, and Jared’s chapters are mixed with bizarre, expansive interludes that hint at a world beyond his day-to-day reality. The magic seeps in until it is almost pervasive, slowly invading every corner of his life until he has no choice but to face the destiny he has been running from. While this element comes into full force late in the book, the fact that Son of a Trickster is the first in a series leaves room for Robinson to continue to explore the implications of the first book’s final revelations.
Son of a Trickster was defended on Canada Reads 2020 by Kaniehtiio Horn, an Indigenous actor and podcaster from Kahnawake. Horn mounted a quiet but powerful defense of her chosen book, touting it as coming of age story that will appeal to everyone from young adults to elders. This year’s Canada Reads theme was “One book to bring Canada into focus,” and Horn also argued that it was time to expand Canada’s focus beyond Indigenous trauma narratives, and make room for the broader voices that are also part of the Indigenous experience in Canada. Toward the very end of the finale, she expressed that she wanted to see Indigenous authors on every shelf, from crime fiction to fantasy to science fiction and beyond, occupying every genre.
Son of a Trickster faced a variety of hurdles in this year’s Canada Reads competition. Most notably, some of the panelists seemed to have a decided preference for non-fiction. This formed a central part of the second day of debates, with both George Canyon and Akil Augustine expressing a stronger connection to real people rather than fictional characters in response to a variety of questions posed by the host. Nevertheless, Son of a Trickster arrived at the finale having only been voted against once, by Alayna Fender on Day Three, as she tried to save her book Small Game Hunting at the Local Coward Gun Club from elimination.
After giving the eliminated panelists a moment to remind the audience why they should still read all those books, moderator Ali Hassan focused the final day of debates on questions about compassion, engaging storytelling, and which book most challenged the way the panelists look at the world. Son of a Trickster eked out an edge in the storytelling department, with George Canyon describing the book as a captivating, Akil Augustine lauding the magical element, and Alayna Fender praising the engaging cast of characters.
Throughout the competition, Horn spoke eloquently to Son of a Trickster specifically as an Indigenous story. When Alayna Fender raised questions about the completeness of the story, and its sense of having a beginning, middle and end, Horn responded with an explanation about how Indigenous stories are often more cyclical, but tend to be judged against the linear standard more common in settler narratives, though she acknowledged that the book is also the first in a trilogy. She also took time to educate listeners about the important role of the storyteller within Indigenous culture. In her final appeal, she asked her fellow panelists to make Son of a Trickster the first book by an Indigenous author to win Canada Reads.
After a lively final day of debates, the panelists cast their ballots for the last time. Kaniehtiio Horn voted against We Have Always Been Here, but the other panelists came together in a unanimous block to eliminate Son of a Trickster, and make We Have Always Been Here by Samra Habib and defended by Amanda Brugel the first book by a woman author defended by a woman panelist to win Canada Reads since the program began in 2002.
Check back tomorrow for my review of the winning book!