Ever since discovering the work of Anne Rice when I was about fifteen, I’ve been more or less obsessed with vampires, which tend to rise and fall in the trends of speculative fiction literature in a somewhat cyclical fashion. They’ve been having a bit of a quiescence since the hype of Twilight settled down, but I’ve recently been craving a return to this obsession that never dies. I’m impatiently awaiting the publication of Vampires Never Get Old next week, a short story anthology that brings together authors like Zoraida Córdova, Dhonielle Clayton, and Julie Murphy with fresh takes on an old favourite. While I was waiting, I decided to revisit some classics from the vampire urban fantasy oeuvre, and see how they held up. (Fellow UNBC alum: Yes, these were all on the syllabus from Dr. Stan Beeler’s English 486 Literature of the Fantastic course!)
Originally published in 1991, Blood Price by Canadian SFF writer Tanya Huff is probably the oldest book I’ve read that could classed as urban fantasy. Vicki Nelson has recently retired from the Toronto police force at the ripe old age of 31, due to her rapidly deteriorating vision caused by retinitis pigmentosa. A former rising star within the department, Vicki still feels like she has a lot to prove, and she’s set up shop as a private investigator. In Blood Price, she is hired by a wealthy college student to investigate the murder of her boyfriend. As the killings continue, the local press begins speculating about vampires, as all the victims have been drained of blood. While she tries to keep an open mind, what Vicki never expected was to run into a real vampire who is trying to solve the murders himself, before the press draws too much attention to the potential existence of his kind. Part of the great fun of this series in the vampire himself, Henry Fitzroy, who is the bastard son of King Henry VIII. In 1990s Toronto, he is making a living as a romance novelist, penning historical bodice rippers under the nom de plume Elizabeth Fitzroy.
This was a fun reread that has held up in many respects, but aged markedly in others. The human villain of this installment is an angry young, white, male college student who feels he hasn’t received everything to which he is entitled, something that still rings so true as to almost be too on the nose. When this novel was published, the École Polytechnique massacre of 1989 would have been a still fresh event, and not much has changed since. A lot of the plot turns on answering machines, and people waiting for phone calls, something I didn’t notice when I first read this book in 2008 with a flip phone in my purse, but which is glaringly obvious in 2020 with everyone glued to their smartphones. I’m also less interested in police protagonists, and cringed really hard when Vicki’s former partner, Mike, made a joke about police brutality.
Published in 1993, this still ongoing series is often cited among the influences of urban fantasy writers, though my 2002 paperback edition describes it as “a heady mix of romance and horror,” and the cover blurbs are mostly from mystery rather than SFF writers. Guilty Pleasures introduces Anita Blake, zombie raiser and vampire hunter. Although her primary job is raising the dead, Anita sidelines in killing rogue vampires, and in this first installment of what is now a 27 book series, she is hired to investigate the murders of four vampires. Pressured into undertaking the investigation against her better judgement, Anita finds herself pulled into vampire politics, squaring off against the terrifying Master of the City of St. Louis, and upending the balance of power in a way that will inevitably bind her to the supernatural world, and to the handsome and alluring vampire Jean-Claude.
Urban fantasy is split into those series in which the supernatural world is secret and those in which it is openly acknowledged—sometimes with a transition in which the supernatural world is unveiled. This series begins two years after vampires become legally recognized in the United States, and one thing I find interesting about this book is the world-building that explores the consequences of such a ruling. Vampires can use their abilities for commerce—as we see at the vampire strip club Guilty Pleasures—or to found their own religions, as with the Church of Eternal Life, a vampire church being a truly fascinating concept in a world Laurell K. Hamilton also chooses to have holy objects repel her vampires. This series has transformed and reincarnated itself several times over the nearly thirty years it has been running, and I haven’t read a new installment in over a decade, but it was nevertheless illuminating to revisit. Even if the plot also heavily figured answering machines. Go figure.
Dead Until Dark
Better known for its 2008 television adaptation True Blood, Dead Until Dark was originally published in 2001. Set in rural northern Louisiana, it follows the adventures of Sookie Stackhouse, the psychic waitress. Like the Anita Blake series, these books take place about two years after vampires have “come out of the coffin,” and the book opens with Sookie meeting her first vampire, Bill Compton, who has returned Bon Temps to reclaim his family’s property there now that vampires have been legally recognized. Regarded as somewhat crazy by her neighbours, who don’t really want to believe in her psychic abilities, Sookie has faced a lot of social rejection before Bill rolls into town, but she is surprised to find that—unlike humans—she can’t hear vampire thoughts. She quickly falls into a romance with Bill, but this attachment is complicated by local suspicions about the newcomer, a series of murders of young women known to have associated with vampires, and the fact the vampires would very much like to put Sookie’s psychic talents to their own uses.
Urban fantasies commonly feature working class protagonists, but Sookie is notable for her pride in her job as a waitress, and her defensiveness about anyone who tries to put her down for being low class or air-headed because of her lack of education or her choice of employment. Much of the action centers on her interactions with patrons at Merlotte’s, the local watering hole. Dead Until Dark has one of the most rural settings of any urban fantasy series I’ve read, if that isn’t a contradiction in terms, but Harris turns small town life to good effect, even as she pulls in wider vampire politics with Sookie becoming enmeshed in the supernatural community. The big cringe here might be when Sookie’s grandmother invites Bill over to talk to her about the Civil War, and she seems fascinated and delighted when he is able to tell her that her husband’s family owned two slaves. And yes, in case you were wondering, there were several plot points featuring answering machines. So let that be a lesson to you writers out there; vampires may never get old, but the technology you include in your stories will!
Have you got favourite vampire reading recommendations? Hit me in the comments!
More Vampire Reads:
Certain Dark Things by Silvia Moreno-Garcia
The Coldest Girl in Coldtown by Holly Black
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