“Gu Miyoung’s relationship with the moon was complicated, as are most relationships centered around power.”
Gu Miyoung has recently moved to Seoul with her mother, and started school as a perpetual transfer student. Miyoung is half-human, half-gumiho, the nine-tailed fox spirit of legend, which preys upon men in order to retain immortality. Miyoung is used to being a loner, but something goes wrong her very first hunt in Seoul, when she encounters a dokkaebi, a sort of goblin. Only the interference of a human boy helps her save herself, although she also saves the boy. But in the fight, she expels her yeowu guseul, the fox bead that is the essence of the gumiho. The boy, Anh Jihoon, touches the bead, forging an unintentional connection between them. Miyoung hopes that she can ignore the boy, and focus on figuring out how to reabsorb her bead, but then she lands in class with Jihoon, forcing them to face their newfound connection.
Parent-child relationships form an important part of Wicked Fox, and Miyoung has long had a rift with her mother, Gu Yena, over the method of feeding that keeps gumiho alive. Yena extracts the life force, or gi, from men by consuming their livers. Miyoung will only hunt on the full moon, when she can siphon the gi painlessly from her victims, sparing them a violent death even if she must take their lives. She has also secretly begun selecting her victims with the help of a shaman, who can commune with ghosts, and help lay those hungry spirits to rest by having Miyoung avenge their deaths, ensuring that her victims are only the vilest of men. Still, Miyoung is not at peace with what she must do to survive. Although she has trusted her mother implicitly for most of her life, Miyoung cannot tell her the truth about what has happened with her yeowu guseul without putting Jihoon’s life in danger; Yena would not hesitate to eliminate him for knowing too much. Miyoung tries to solve the problem on her own, but she is limited by the secrets that her mother has been keeping from her.
Wicked Fox intersperses the narrative chapters with mythological interludes on the history of the gumiho in general, and Gu Yena in particular. Author Kat Cho engages with the complexity of the gumiho legend, and how it interacts with beliefs about women’s sexuality. When Jihoon asks his halmeoni how the gumiho became evil, she replies that “men fell in love with gumiho because they were beautiful. Then they blamed their adultery on the creatures instead of accepting their own mistakes. Maybe it happened often enough that it became normal to say gumiho lured men into cheating on their wives.” Cho also includes a chonggak dokkaebi, a male goblin that attracts women in a similar way, balancing out the mythologies.
Although Miyoung and Jihoon form a romantic attachment, Wicked Fox is about interpersonal relationships in many forms. Jihoon has a close relationship with his grandmother, but is estranged from his mother, who abandoned him when he was young, and eventually started a new family. He also contends with how the secrets he keeps for Miyoung impact his friendships with his human friends Changwan and Somin. Cho cautions that “love and lies do not mix well,” and this plays out again and again across all kinds of relationships. For her part, Miyoung has only ever been allowed to be close to her mother, but she is drawn into Jihoon’s group at school despite her efforts to keep them at arm’s length. Miyoung sees her own monstrousness in the things she must do to survive, but fails to consider that “isolation is the enemy of humanity. Loneliness is a threat to empathy.”
Wicked Fox builds to the climax I was expecting by the midpoint of the book, then takes a turn for the second half, widening in scope. The ending is left open for a sequel that explores the consequences of the choices Miyoung and Jihoon make, and the losses they have endured.