by Seanan McGuire
“Regan had known from the beginning that Laurel’s love was conditional. It came with so many strings that it was easy to get tangled inside it, unable to even consider trying to break free. Laurel’s love was a safe, if rigid, cocoon.”
Regan Lewis only ever wanted to be normal. Unfortunately for her, fate had other plans. Knowing that there is nothing but social ostracism waiting for her back at school after she reveals a secret, she find her doorway to the Hooflands, a realm of unicorns and centaurs perfect for a horse girl like her. But when humans come to the Hooflands, it means something is coming, something that requires a hero. And it is very useful for heroes to have thumbs and fit into small spaces, after all. But the centaur herd that finds Regan looks at her and sees a child, not just a human hero. And so they decide to keep her safe for as long as they can, until her quest presents itself.
Across the Grass Green Fields is part of Seanan McGuire’s Wayward Children series in that it involves a child going through a doorway to a fantasy world. However, it stands apart in that Regan neither starts nor ends at Eleanor West’s school, and meets none of the series’ recurring characters along the way. It has been suggested that you could reasonably start here rather than with Every Heart a Doorway, but that would mean missing out on a lot of the interconnected structure and logic of the portal worlds. The series is in many ways cumulative, and even entirely separate stories are in conversation with one another.
One of the striking things about this series is that McGuire writes like an adult who remembers childhood viscerally. Not just the fun and the magic, but the vulnerability and confusion, the casual cruelty and fickle whims. The most compelling part of Across the Grass Green Fields is perhaps what Regan goes through before she finds her door, not the adventure that she discovers beyond it. Regan’s playground friendships are fraught, clearly depicting the “strange feuds, unexpected betrayals, and arbitrary shunnings” that many adults seem to have forgotten. In this it reminded me of the complex friendship depicted between Lundy and Moon in the fourth book in the series, In an Absent Dream.
Regan is a people-pleaser, and the only thing she dares to claim for herself is her love of horses. It is not so strange as to get her ostracized by her peers, an acceptable obsession for girls. In everything else, she bends to the whims of her dictatorial best friend Laurel, and tries not to completely lose herself. When Laurel ostracizes their mutual friend Heather for not being the right kind of girl, Regan choses Laurel without hesitation. It is not until Regan finds her door, and meet the centaur girl Chicory that she discovers a friendship that gives and takes in equal measure, and demands that neither party give up parts of themselves for the sake of the other.
Regan’s quest comes late and fast, and is in some ways anti-climactic to the rest of her adventures. She has experienced much of her personal growth in the Hooflands long before she goes to the palace to meet the Queen. This is simply where she proves that she has learned what the Hooflands had to teach her about friendship, destiny, power, and the importance of being yourself.
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