by Tasha Suri
“Love and love. Like two opposite points she was forever reaching for, stretching her thin. Love for Malini and love for home. Love like a future, and love like sacrifice.”
With a prophecy backing her claim, Malini is determine to wrest the throne of Parijatdvipa from her cruel brother Chandra, even as certain factions of her army would still rather see her brother Aditya wear the crown. With a war of succession inevitable, Malini and Priya are separated by duty and by circumstance. Malini has an empire to secure, and Priya a newly independent Ahiranya to help rule as one of only two thrice-born temple elders. But when a battle goes wrong, and Malini calls Priya to her side to serve as her secret weapon, Priya sets aside her new duties to answer. Their fates and their hearts are still bound, but a battlefield is a poor place for a love story.
The second volume of The Burning Kingdoms trilogy continues to be full of dark political intrigue, spinning out around two central characters whose romance must always take a back seat to their larger destinies. However, their yearning nevertheless permeates The Oleander Sword, even as political events outpace them. As in the first volume, the narrative perspective shifts through a variety of characters, both major and minor. Malini and Priya march on Harsinghar to challenge Chandra for the throne, while Bhumika remains in Ahiranya, once again caught playing diplomat between two factions whose understanding of the world are fundamentally at odds.
Something old is stirring in Ahiranya, and Priya is separated from her home and her people at a critical time, leaving Bhumika to navigate the treacherous political situation alone. In some ways Bhumika continues to have the most unenviable lot; there is no grand love story for her, no easy answers, just an unending series of compromises and the hope that she is doing enough for people, and now for her daughter. Although much of the action takes place outside Ahiranya in this installment, the events that occur there promise to be significant to the culmination of this series. The setting expands to the larger Parijatdvipa, but the troubled relationship between the two nations continues to simmer; Malini’s allies do not trust Priya, and the silence from Ahiranya is deafening.
Even with an army at her back, Malini must still fight against a system that fundamentally believes her place in the rightful order of the universe is to burn willingly on the pyre of the mothers of the flame, for the good of her people and her country. Power comes with a price, as Priya is also discovering. From maidservant to Temple Elder, Priya has never had more power at her fingertips, and yet she is still treated with suspicion by Malini’s other allies. Worse, the price for being thrice-born is becoming increasingly evident—the gods will always take their due. Whether characters are worshippers of the mothers of the flame, the nameless god, or the yaksa the demands of belief are not inconsequential. Tasha Suri’s religious world-building is richly layered and deeply tied to interesting magic systems, yet there is a deep ambivalence about both religious institutions and the powers that enable them.
The Jasmine Throne was one of my favourite books of 2021 and The Oleander Sword is both a fascinating book in its own right and an extremely strong sequel the expands perfectly on both the characters and their world; I can’t wait to see what Suri has in store for us in the finale.
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