by John Lewis and Andrew Aydin
Art by Nate Powell
“The fare was paid in blood, but the Freedom Rides stirred the national consciousness, and awoke the hearts and minds of a generation.”
Politician and civil rights leader John Lewis has been representing Georgia’s fifth congressional district for the past three decades. Before that, he enjoyed a long career as a civil rights activist and organizer, and served on the city council in Atlanta. The script for the March graphic novel was written with his congressional aide, Andrew Aydin, who wanted to capture some of the memories Lewis had shared with him in their time working together. This is the second volume in what has become a highly-acclaimed trilogy since its 2013 release. Catch up with March: Book One here.
March: Book Two opens on Inauguration Day 2009, and then transitions back to Nashville in November 1960. After successfully integrating the city’s department store lunch counters, Lewis and the Nashville Student Movement continued in the same vein by trying to integrate cafeterias and fast food restaurants. They also turned their attention to segregated movie theatres. However, the heart of the second volume focuses on the Freedom Riders and the March on Washington, as Lewis rises to national prominence within the civil rights movement. Despite covering several climactic events, tension remains high, as the volume closes with the bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama on September 15, 1963.
Book two recounts the increasing force with which non-violent protests were met as the civil rights movement gained momentum. Powell continues to walk the fine line in depicting the events truthfully but without exploiting the horror. However, the severity of the violence undeniably increases in this installment. The violence did not come as a surprise to the activists. In fact, Freedom Riders signed wills before undertaking their journeys, which were designed to test whether the Supreme Court decision that integrated interstate buses was being upheld in practice. Lewis also describes watching news coverage of protests in Alabama, where activists faced fire hoses and police dogs, resulting in what “looked like footage from a war.”
As in the first volume, Lewis is not afraid to chronicle philosophical differences within the movement, and his worries that as the number of protestors swelled, the new recruits lacked the discipline to adhere to the principles of non-violence. At the back of the book, the original draft of his speech for the March on Washington is included. The comic itself depicts the intense negotiations that surrounded certain aspects of his wording, which led to him delivering a highly revised version. While Martin Luther King’s “I Have a Dream” speech is the most famous address from this event, Lewis’ speech is powerful in its own right, and receives a six page spread. Yet the book also highlights the many other players and contributors, while also remaining Lewis’ story. Malcom X makes a brief appearance, though Lewis clearly disapproves of his philosophy. Dr. King is depicted respectfully but sometimes critically, without the idolatry that often surrounds his legacy. But Lewis is most interested in A. Philip Randolph and Bayard Rustin, the architects of the March on Washington. Rustin, in particular, was the logistical brains of the operation, but could not play a prominent public role because of his communist connections and homosexuality. March memorializes his key contributions.
March continues to move back and forth between Lewis’ life story, and Barack Obama’s inauguration. The first volume used a slightly stilted frame narrative of Lewis recounting his childhood to two boys who visit his office with their mother, who wants to teach them about the history of the civil rights movement. The second volume is purely Lewis reflecting alone on his experiences as the inauguration progresses, which works more smoothly, and also creates some interesting juxtapositions. Lewis’ election as chairman of the Student Non-Violent Coordinating Committee is placed alongside Obama taking the oath of office. The scenes depicting famous speeches given at the March on Washington are followed by the opening words of President Obama’s inaugural address. Aretha Franklin sings “My Country Tis of Thee” in 2009 as Freedom Riders are beaten in the streets of Alabama in 1963. This creates an effect that conveys the breadth of history, even as the closing on the church bombing creates a sobering, cautionary finish. There is always a backlash.