by Casey McQuiston
“August looks at her as the train reverses past Gravesend rooftops, this girl out of time, the same face and body and hair and smile that took August’s life by the shoulders in January and shook. And she can’t believe Jane had the nerve, the audacity, to become the one thing August can’t resist: a mystery.”
Leaving her eccentric mother behind in New Orleans, August Landry moves to New York in search of a new start, a city where she might actually fit, and a new college where she might finally finish her degree. A childhood spent helping her mother try to solve the cold case of Suzette Landry’s missing brother and August’s namesake has left her wary and mistrustful, and New York seems like just the kind of place for a girl like her. But then August meets a beautiful, charming, mysterious woman on her subway commute. With her tattoos, leather jacket, and old-school Walkman, Jane Su looks like a 70s punk rock dream. But as August gets to know her she realizes that somehow—impossibly—Jane is literally trapped out of time, having become stuck on the Q subway line in the mid-1970s. Suddenly, the investigative skills August learned at her mother’s knee are more relevant than ever, even as she tries to keep herself from falling for the impossible girl on the train while also figuring out where she came from and how to get her home.
August is a prickly and mistrustful protagonist, carefully guarding her heart and cultivating her cynicism. We learn over the course of the book how she came to be that way, from her complex relationship with her mother to her nearly non-existent relationship with her grandparents. However, her opening up begins not with meeting her love interest Jane but when she moves into the crowded old apartment above the Popeye’s with Myla, Niko, and Wes. If you love a good found family story, this book delivers. August becomes part of their chosen family, and it is this as much as anything that begins to open her up to the possibility of being in love with Jane, even if it takes her a while to admit to her feelings. Falling in love with someone who might not be entirely real, who might disappear at any moment, is a fundamentally vulnerable act.
The subplot of the book focuses on Billy’s Pancake House, where August gets a job, and where Jane used to work back when it opened in 1976. As Brooklyn gentrifies and rent rises, the beloved diner is in danger of going out of business, but the community rallies together to try to raise the necessary funds to help Billy buy the building when he can’t get a loan. If the friends August meets in her new apartment become her found family, Billy’s is about the larger community into which they fit, and McQuiston slips in bits of history about New York and its queer community.
In terms of genre, One Last Stop is modern romance with a touch of the paranormal. Jane is stuck out of time on the train, and is capable of various feats that should be impossible, but she is fully corporeal and definitely not dead (per se). Additionally, August’s roommate Niko is a psychic, adding another touch of magic to the largely normal world in which the story is set. New York is otherwise New York as we know it. Content warnings for the book are available on the author’s site.