Category: Speculative Fiction

Protect the Prince (Crown of Shards #2)

Cover image for Protect the Prince by Jennifer Estepby Jennifer Estep

ISBN 9780062797643

Disclaimer: I received a free review copy of this title from the publisher

 “I wasn’t the queen everyone had expected and I certainly wasn’t the one they wanted, so draping myself in layers of silk and cascades of jewels seemed silly and pointless. Besides, you couldn’t fight very well in a ball gown. Although in that regard, it didn’t really matter what I wore, since every day at Seven Spire was a battle.”

Having defeated her scheming cousin Vasilia in a royal challenge per the Bellonan gladiatorial tradition, Everleigh Winter Blair is now Queen of Bellona. Unfortunately, her impressive performance in the ring hasn’t stopped Bellona’s scheming nobles from continuing their long game, and taking bets on how long her unexpected reign will last. But Evie has bigger things to worry about, including the coming war with Morta, and Morta’s ongoing interference in her efforts to secure a treaty with the neighbouring kingdom of Andvari. With her closest advisors in tow, Evie sets out for Andvari, determined to personally seal the deal while there is still time. But the Andvarian court is full of its own plots and intrigues, as well as secrets about Lucas Sullivan’s past.

Protect the Prince picks up several months after the events of Kill the Queen, and is organized around a series of assassination attempts. Evie has claimed the crown, but now she must secure it against all those who would try the new queen. Having escaped during the royal challenge, and returned to her native Morta, Maeven and her Bastard Brigade grow increasingly desperate to complete their mission and kill Evie for the King of Morta, leaving Evie besieged from within and without. At the Andvarian court, she is also surrounded by Lucas’ family, his ex-fiancée, and an entire court of nobles who blame her for the deaths of Prince Frederich and Ambassador Hans during the Seven Spire Massacre. Internally, Evie struggles with imposter syndrome, trying to project strength and certainty to the world, despite her secret belief that she was never meant to be queen.

After playing coy in the first volume, Estep does finally deliver some romantic satisfaction in Protect the Prince. Evie and Lucas continue circling one another cautiously for most of this second volume; Lucas continues to stand on his principles, and Evie continues to respect his wishes, leading to a long and frustrating stalemate. However, traveling to Glanzen, and staying at Glitnir where Lucas grew up is a revealing twist that exposes how the son of the Andvarian king’s mistress became so guarded in the first place. A series of flashbacks equally develops Evie’s backstory, unveiling details about her parents’ murders and her own escape from Winterwind. In much the same way that Estep drew out the events of Kill the Queen by having Evie hesitate to trust her identity to Serilda, Lucas, and the other members of the Black Swan troupe, Protect the Prince is drawn out by Lucas’s inability to bend, and Evie’s unwillingness to push him, as well as her desire to protect him from the consequences of her new responsibilities as queen.

With Vasilia dead, Maevan and Morta take center stage as the villains of Protect the Prince. Maeven’s motives are slightly more developed than Vasilia’s, but she still comes across as a bit of monologuer. The Mortan king remains a shadowy, nameless background figure, pulling the strings of his Bastard Brigade, and allowing his illegitimate sister to do his dirty work while he plots to gain an empire. The title of the third volume, Crush the King, suggests that he will take on a more prominent role in the final installment of the Crown of Shards series, due out in 2020.

You might also like The Deepest Blue by Sarah Beth Durst

Kill the Queen

Cover image for Kill the Queen by Jennifer Estepby Jennifer Estep

ISBN 9780062797629

“Summer queens are fine and fair, with pretty ribbons and flowers in their hair. Winter queens are cold and hard, with frosted crowns made of icy shards.”

Although nearly thirty years old, Lady Everleigh Winter Blair is still a ward of her cousin, Queen Cordelia of Bellona. For more than half her life, ever since her parents were murdered, Evie has lived at the palace, serving as the royal stand-in for whatever luncheons and ceremonies are not deemed important enough for the Queen or her daughters to attend to personally. Apprenticed to the royal jeweler, Evie dreams of using her carefully hoarded savings to return home to Winterwind, her family estate, and live a quiet life far from the intrigues of the court. All she needs is the Queen’s permission, which she hopes to get at a luncheon announcing Crown Princess Vasilia’s engagement to Prince Frederich of Andvari. But Vasilia has plans of her own, and they do not include marriage, or an alliance with Andvari. When Vasilia murders her mother to secure the throne for herself, Evie is driven into hiding, taking refuge with the Black Swan gladiator troupe, owned by the disgraced Serilda Swanson, who was once bodyguard to Queen Cordelia.

Kill the Queen is an adult fantasy with a quasi-medieval, Roman-influenced setting, and a multi-tiered magic system. Evie is a “mutt” with only a hint of magic, despite her royal bloodline, while Cordelia and Vasilia are powerful elemental magiers who wield fire and lightning. Some people are mortals, with no magic at all, but this group is not explored in the book. The world is also populated by morphs, who can transform into other creatures, such as ogres and dragons. However, Evie has also been hiding another special talent for most of her life, an anti-magic, which her mother cautioned her to keep hidden at all costs, lest others seek to exploit her. So while Evie has certain abilities and advantages within this world, she is not a power player, and the arc of this novel is about watching her become one.

 Kill the Queen is not primarily a romance, focusing instead on court intrigues and gladiator adventures. But Evie does have a slow burn going on with Lucas Sullivan, the enforcer and head magier of the Black Swan troupe, from the moment that he finds her sleeping on the floor of his house inside the gladiator complex. But both Evie and Sullivan are prickly, secretive people who do not trust easily. This gives their relationship great banter, and a crackling tension, but though this is an adult fantasy, Estep does not deliver so much as a kiss, at least in this first volume of the planned trilogy.

The book’s main villain is Crown Princess Vasilia. Evie has known her since she arrived at Seven Spire as an orphaned child. By the time the book opens, the two women have nothing to do with one another, but once they were friends, and Vasilia betrayed that friendship. Over the course of the book, Evie slowly reveals the form that betrayal took, and the scars it left. She has very few friends, and trusts almost no one at the court. It is only once she arrives at the Black Swan that she considers friendship again, dangerous though it may be to her secrets. The Black Swan has its own intrigues, and unable to stay out of them, Evie finds the best friend she never had in Paloma, the troupe’s number one gladiator. Unfortunately, Vasilia herself is a bit flat, coming across as a monologuing psychopath. However, this has interesting consequences for Evie’s character, and combined with the fact that she is not set to be the series villain, it is a relatively minor complaint.

I listened Kill the Queen in audio form, narrated by the consistently excellent Lauren Fortgang, who also performed Leigh Bardugo’s Grisha trilogy, and was part of the cast for the audio version of Six of Crows as well. I’m now all caught up for the recently released Protect the Prince, so check back for that review soon!

You might also like The Deepest Blue by Sarah Beth Durst

Fall, or Dodge in Hell

Cover image for Fall by Neal Stephenson by Neal Stephenson

ISBN 978-0-06-245871-1

Disclaimer: I received a free review copy of this title from the publisher.

 “She began to feel that the tech industry, which prided itself on having disrupted so many other things, was now creeping up on the moment when it would attempt to disrupt death.”

When wealthy businessman Richard “Dodge” Forthrast dies on the operating table during what was supposed to have been a routine operation, his family discovers that a decade earlier, he made out a highly unusual will, bequeathing his body to science with the understanding that it should be preserved until such time as his brain can be digitized and uploaded. In the intervening time, his Corporation 9592 has made a vast fortune, and his death establishes a highly-endowed foundation charged with helping bring this future to pass. His will also binds his fate together with the machinations of the eccentric billionaire Elmo Shepherd, who has his own ideas about the digital afterlife. As years pass in Meatspace, an elaborate structure of shell companies, foundations, and quasi-religious movements grow up around supporting Bitworld, with Dodge’s niece Zula, her daughter Sophia, and his friend and former colleague Corvallis Kawasaki caught up the labyrinthine consequences of Richard Forthrast’s last will and testament.

You probably need to be an author as established and respected in the genre as Neal Stephenson to get away with writing a book like this. It is nearly 900 pages long, and begins with the protagonist waking up, and spending a good several pages pondering the concept of consciousness. It then goes on to pull in mythology, theology, philosophy, and literature, all while toggling between science fiction tropes and high fantasy quests, through an ever-shifting cast of point-of-view characters. After teeing off the action with his death in the opening chapters, Dodge himself disappears from the narrative for nearly three-hundred pages. Stephenson is also the author of a trilogy known collectively as The Baroque Cycle, and baroque is certainly a term that is applicable here as well.

After Dodge’s death, the narrative is handed over to Corvallis, aka C-Plus, who has been named the executor of his friend’s will. It is up to him to help Zula and the rest of the Forthrast family navigate the bizarre ramifications of Dodge’s forgotten desire to live forever in bits and pixels. Meanwhile, C-Plus is caught up in the largest internet conspiracy ever executed, one he believes, but cannot prove, to have been masterminded by El Shepherd for reasons unknown. The baton then passes to Sophia, now grown into a college student, and planning to spend her summer as an intern at the Forthrast Family Foundation, working on the problem of DB or Dodge’s Brain. But first she must make the trek across the post-truth America created by El’s Moab Hoax. These three hundred pages set the stage for the creation of Bitworld.

When Dodge’s Brain is finally digitized, uploaded, and switched on, Fall becomes focused upon literal world-building. Existing mythology meets new creation story as the being who calls himself Egdod achieves consciousness and begins to give shape to the Land. The language also shifts accordingly, as Stephenson’s style becomes more formal, adopting the tone and cadence of mythology. Egdod cannot quite recall before, and indeed it takes him some time to remember that there was a before, but the world he is shaping around him nevertheless begins to bear a distinct resemblance to the imperfect one he left behind. For a time, he is the god of his own universe, but out in Meatspace, once it becomes apparent that the simulation is live, soon many more souls are clamouring to be scanned and uploaded when they meet their end. At first, those left behind can only see what is being created in terms of computational resources consumed, but with the invention of the Landform Visualization Utility, soon watching the goings-on in The Land becomes the primary form of entertainment for those on the original plane of existence. And not everyone there likes what they are seeing, or believes it is how the afterlife should look.

In general, I was more interested in the events back in the “real” world, rather than the development of The Land. The end of death as we know it has profound effects on Meatspace, not all of which Stephenson takes the time to fully explore. But Fall is working on a long time-scale, so as the story progresses, many of the characters that began in one realm cross over into the other.  The resulting story is a strange brew of mythology and scripture, meandering at times, and engrossing at others. Fall has distinct biblical influences, pulling in the Tower of Babel and Adam and Eve, but also draws significantly upon Greek mythology, and the rivalry of the gods. The physical edition is adorned with Gustave Doré end-papers, and Milton’s Paradise Lost is also heavily in the mix. An altogether curious journey.

You might also like City of Golden Shadow by Tad Williams

The Wicked King (The Folk of the Air #2)

Cover image for The Wicked King by Holly Black by Holly Black

ISBN 9780316310338

 “Power is much easier to acquire than it is to hold on to.

With her young step-brother Oak revealed as an heir of the Greenbriar line, Jude has made her bid for the throne of Faerie, and won, after a fashion. Bound to her will for a year and a day, Prince Cardan now sits on his father’s throne, while Jude pulls his strings. But a year and a day is not enough time for Oak to grow up, and become a King who will be kinder than Balekin, more responsible than Cardan, or less bloodthirsty than Madoc. Now it is a game of chess, as Jude tries to find a way to bind Cardan to her for longer, and Cardan tries to wiggle around the strictures of her edicts. General Madoc seems to be quietly planning his own next move, while Queen Orlagh of the Sea Folk is determined to see Cardan married to her daughter, Nicasia. Power is fleeting, and everyone wants a taste.

The Wicked King opens on Jude as the lonely power behind the throne, alienated from her twin sister, and her adopted family by her betrayal of Madoc at the coronation ceremony during the events of The Cruel Prince. She has seized the Crown, but must keep the fact of her power secret, desperately trying to quell Cardan’s rebellions, and her own feelings for the troubled Prince, who is now High King, if only in name. Faerie has no love for mortals who gain favour and power, and they would love nothing more than a reason to cast her down. While Dane’s geas continues to protect her from enchantment, there are many other ways to extract revenge. She has temporarily seized control, but she can feel the days slipping through her fingers, knowing that she will lose everything if Cardan bides out his year and a day, and becomes High King in fact. Having betrayed her family to gain power, now she must face the question of what she will do in order to keep it.

If you love a dark and twisted faerie tale, it is hard to go wrong with Holly Black. This series is also highly recommended for those who enjoy the trope of enemies to lovers. Cardan’s long hatred and resentment of Jude stems from his hatred of the fact that she, a mortal, has found a place in Faerie, even while he was always rejected by his own father despite being a prince of the blood. Trained from childhood to hate himself by his father’s disdain, he hates himself even more for being attracted to Jude despite her mortality. Meanwhile, Jude knows that she is playing a dangerous game. Mortals who fall in love with the Folk never fair well, as her own mother’s bloody fate constantly reminds her. Her twin sister, Taryn, is playing an equally dangerous game with the conniving and despicable Locke, and though the sisters are estranged, Jude hopes she can somehow protect Taryn, and give her the happily ever after she dreams of.

As one lone, mere mortal in a magical realm, Jude can little hope to control all the many threads and intrigues of Faerie, as various factions try the strength of their new king. But try she must, as Cardan shows little interest in ruling, and she has few allies to call on. Even the Court of Shadows is not to be fully trusted, though Jude must accept their aid. Holly Black takes the reader for a tense ride through the months of Cardan’s vow, and though we know it must end in disaster, she still manages to bring The Wicked King to stunning cliff-hanger that will leave you reaching for The Queen of Nothing, due out in the fall of 2019.

Also by Holly Black:
The Darkest Part of the Forest

The Coldest Girl in Coldtown 

The Iron Trial (with Cassandra Clare)

Romanov

Cover image for Romanov by Nadine Brandesby Nadine Brandes

ISBN 9780785217244

Disclaimer: I received a free review copy of this title from the publisher.

“After Rasputin, the people grew too suspicious of spell masters, convinced they could control minds. So the revolution began—forcing Papa off the throne and hunting down spell masters, one by one.”

When the Romanov family is transported from exile in Tobolsk to a new prison in Ekaterinburg, Anastasia “Nastya” Romanov is entrusted by her father, the deposed tsar, with a family heirloom which she must hide from the Bolsheviks at all costs. The magical Matryoshka doll was made by the great spell master Dochkin, and may hold the key to saving the Romanovs, as well as preventing Dochkin from being forcibly recruited into the Red Army, or murdered. But Commandant Yurovsky will stop at nothing to find the legendary spell master, and only one of his artefacts can uncover his secret hiding place. In Ekaterinburg, the days count down steadily towards July 16, 1918, as the Romanovs try to win over their captors, and live in hope of rescue by the White Army.

Nadine Brandes introduces a magical twist into the ever-popular story of the Romanov princesses and their grisly fate. Grigori Rasputin is an off-page character, blamed for much, the catalyst for many events, but never actually seen. However, he is not the only magician in this story. Thanks to his actions, Russia has turned on all its spell masters, demanding that they serve the state, or die. Spell work has been responsible for keeping Tsarevich Alexei alive despite his hemophilia, but at a terrible price. Nastya herself dreams of becoming a spell master, but with Rasputin gone, there is no one to teach her, and the only spell she knows will ease her brother’s pain, but not heal his injuries. Brandes does an excellent job of imagining and depicting relationships within the family, and especially the interactions between siblings, though she mainly focuses on Maria, Anastasia, and Alexei.

Brandes includes two romantic subplots for the Romanov sisters in captivity; Maria falls for a Bolshevik soldier named Ivan, while Nastya tries to keep at bay growing feelings for his secretive comrade, Zash. The tension in the romance between Ivan and Maria felt a little bit more fraught, so when I got to the “What’s True” section at the end of the book, I was not terribly surprised to discover that Maria’s flirtation with Ivan was based on true events, while Zash is wholly imaginary character, invented for his instrumental role in the second half of the story.

For the most part, the first half of the book, which takes place before the fateful night of July 16, hews closely to the history of what we know about the Romanov’s captivity, with a few magical and romantic twists. However, nearly half the books takes place after that night, and it is here that Brandes gallops off into the realm of pure fantasy, with mixed results. Part of the romance of the Romanov survival myth in imagining what came next, and the reader’s enjoyment of the latter part of the story will likely hinge on how well Brandes’ vision accords with their own ideas.

You might also like The Jane Austen Project by Kathleen A. Flynn

Winds of Marque

Cover image for Winds of Marque by Bennett R. Coles by Bennett R. Coles

ISBN 978-0-06-282035-8

Disclaimer: I received a free review copy of this title from the publisher.

 “He was a nobleman, and they were notorious for charming young sailors all the way to heartbreak. He was also the executive officer of this ship. The Navy had no formal ban on relationships within a crew—centuries of space travel had proven the impossibility of stopping people in isolated, close quarters from seeking each other out—but when it crossed ranks there was always the risk of trouble.”

When Executive Officer Liam Blackwood’s ship is put into refit by a reckless space race ordered by his aristocrat Captain, the XO is on the lookout for a new commission when he is approached by Lord Grandview and Lady Riverton. With the quiet blessing of the Emperor, Grandview is ordering an undercover mission to investigate the increasing pirate activity that is threatening the Empire’s trade, and which could compromise the Navy’s supply lines if war with the Sectoids was declared. Fresh from the diplomatic corps, Captain Riverton will need an experienced second-in-command to help lead HMSS Daring’s crew as they develop their façade as a trading vessel, gather intelligence about the pirate threat, and pay their crew with a letter of marque that allows them to seize the pirated cargoes. Blackwood knows just the woman to serve as Quartermaster for such an unusual arrangement, but recruiting her means facing up to his growing feelings for Petty Officer Amelia Virtue.

Bennett R. Coles bends his degree in naval history and fifteen years’ experience in the Royal Canadian Navy to fantastical ends, creating a space Navy that sails on the solar winds, and patrols a vast Empire ruled by a distant Emperor on the home world. Social class clashes with naval rank, creating a complex hierarchy to be negotiated aboard every ship. Having just quietly undermined his previous Captain to ensure that HMSS Renaissance was only damaged and not destroyed by the race to Passagia II, Subcommander Blackwood, who feels he has earned his rank by competence rather than birth, is understandably wary of the cold and aristocratic Sophia Riverton, who likes to play her cards close to the chest. Shipboard relations on Daring are further complicated by the presence of Cadet Highcastle, a high-ranking and cocksure young nobleman who is taking his maiden voyage before heading to the Naval Academy for formal study.

In many ways, Blackwood is just as cocksure as the other nobles he likes to look down his nose at, if perhaps slightly less reckless. While he thinks highly of himself and his abilities, the people around him are constantly having to wake him up to his status, which he easily loses sight of when he gets focused on his own competence. For instance, the crew is being paid in prize money, and if they seize nothing, they get paid nothing. It takes a conversation with his friend Lieutenant Swift to remind him that “what would be a useful sum of money to him would be life-changing for his propulsion officer’s entire family.” His relationship with Amelia is also complicated by the fact that she is a low-ranking officer of common birth, newly promoted to her station. When he is angry with her for an entanglement with Highcastle, it is up to her to risk his wrath and remind him that naval justice would undoubtedly fall short if she were to raise a grievance against a noble-born officer. When he tries to tell her it has nothing to do with rank or title, she responds, “you just don’t see it because you wield both with such unconscious familiarity. Do you really think Lord Highcastle would be punished if he raped a sailor? Do you think you would?” The prospect of a romance between Virtue and Blackwood is fraught by class and rank, and I was not strongly invested in seeing such a dynamic develop.

While Blackwood is portrayed as competent and experienced, I was more interested in Virtue and Riverton. Though Riverton has more experience as a diplomat than a military commander, it was clear from the beginning that she was thinking about the bigger picture in a way that Blackwood was not, and I was rooting for her to find her feet as a commander and realize her vision in a way that I was not engaged by Blackwood as a character. For his part, Blackwood never seems to consider that as Captain, she might have information he is not privy to. I was similarly interested by Amelia, who is figuring out her new role as an officer rather than a common sailor. When we see Amelia from Liam’s point of view, it is often intended to be admiring, yet somehow manages to come off as a bit condescending: “Liam was disgusted at how these men so completely objectified Virtue, but actually found himself admiring how nonchalantly she handled them. It was both painful and fascinating to watch.” Captain Riverton, for her part, easily sees Blackwood’s feelings for Amelia, and is rightfully protective of her. Winds of Marque is clearly set up for a series, and I would be most interested to see how things develop between Sophia and Amelia as they gain in mutual respect and understanding.

You might also like: Arabella of Mars by David D. Levine

The Deepest Blue

Cover image for The Deepest Blue by Sarah Beth Durstby Sarah Beth Durst

ISBN 978-0-06-269084-5

Disclaimer: I received a free review copy of this title from the publisher.

“Clinging to her best friend, and the love of her life, Mayara knew she’d made the right decision leaving everything and everyone behind but bringing her heart and soul with her.”

Having successfully hidden her power to command the nature spirits that terrorize their islands, Mayara has just married the love of her life, Kelo. But when a spirit storm strikes their village on the day of their wedding, Mayara chooses to save her family and friends, even though it means discovery. Now she will be faced with a terrible choice between renouncing her life and joining the Silent Ones, the island’s police force, or facing the Trial on Akena Island, for a chance to become one of the heirs. Because the islands must always have a queen who can quiet The Deepest Blue, and only those who can survive Akena Island are worthy to take her place.

The Deepest Blue is fundamentally a novel about love and family, as well as tradition and change. Mayara is not the first in her family to face the choice. Her sister, Elorna, failed to hide her power, and died on Akena Island, trying to become an heir, shattering their mother’s heart. For this reason, Kelo begs Mayara to choose the Silent Ones, even though he knows this means he will never see her again. To incentivize women to face the trials, only heirs are allowed to have families and personal lives, while the Silent Ones live monastic lives of service to crown. But when Mayara faces her choice, she has no idea whether Kelo is dead or alive, for her to honour her promise. She is caught in a stultifying system of traditions which has ensured that the women who are ostensibly the most powerful in the kingdom must bind themselves into service, and then go on doing the same to their spirit sisters, generation upon generation.

Sarah Beth Durst has created an interesting symbiotic magic system, in which the queens and the spirits need one another. The spirits create the very lands which humans inhabit, and the plants that give them shelter and food, but left unchecked, they will create and create until it tips over into destruction and chaos. The queens rein in the spirits’ wilder impulses, limiting their creation, and curbing their destruction, and the world carries on. But just having that power comes at a social cost; Mayara must either give up her family, or risk her life. And when we meet Queen Asana, current ruler of the islands, the reader quickly sees that even rising to the top of the hierarchy of spirit sisters is not without sacrifices or difficult decisions. And even queens can be controlled.

The Deepest Blue is a standalone novel set in the world of Durst’s Queens of Renthia trilogy. Not having read that trilogy, I wasn’t sure how well I would pick up on this novel, but I found that I didn’t need to be familiar with The Queen of Blood or its sequels in order to follow Mayara’s adventures. No doubt there were some references that I missed out on, but I was never confused about what was going on. I did gather that one of my favourite characters, Lady Garnah—Queen’s advisor and chief poisoner—was a crossover from the original books, so I look forward to backtracking to read more about her exploits, as well as the world of Renthia.

You might also like The Impostor  Queen by Sarah Fine

Polaris Rising

Cover image for Polaris Rising by Jessie Mihalik by Jessie Mihalik

ISBN 978-0-06-280238-5

Disclaimer: I received a free review copy of this title from the publisher.

“My reckless side, the side that had prompted me to run away from home rather than marry a practical stranger for political power, that side knew I would land on the planet. I had to know if my hunch was correct.”

For two years, Ada von Hasenberg has been on the run from her family, one of the three High Houses of the Royal Consortium that rules the universe. But her luck has finally run short, and when she is captured by bounty hunters, she knows that if she doesn’t escape, she will finally have to return home and make a political marriage of her parents’ choosing. As the fifth of six children, that is really all she is good for to House von Hasenberg. Then she is locked in a cell with Marcus Loch, the criminal better known as the Devil of Fornax Zero, an ex-soldier who reportedly slaughtered his own unit before going on the run. They are two of the most wanted people in the universe, with a fortune in bounties on their heads, but perhaps together they will have what it takes to escape.

The protagonist, Ada, was by far my favourite part of Polaris Rising. Despite her highly political upbringing, she is smart, but not cold, and tough but not bloodthirsty. She can fight, but it isn’t her preferred way of doing business. She takes everything her House taught her with the intention of using it to make her into a spy in a political marriage, and instead turns it towards pursuing her freedom. She did, however, read as somewhat older than the twenty-three the author pegs her at. She acknowledges her chemistry with Loch, but doesn’t fancy herself in love, though she is worried by the fact that she could be.

The love interest, Loch, on the other hand, I could take or leave. He is, in the romance parlance, an alpha, and I don’t tend to enjoy the jealousy and posturing that comes with that type. I found it pretty hard to warm to him any further after he called Ada a bitch in their first real argument. Jessie Mihalik softens him in other ways, such as repeated use of enthusiastic consent, but I was still fairly indifferent overall. Your mileage may vary!

Polaris Rising sits at the intersection of science fiction adventure and romance, and probably requires a reader who enjoys both of these genres. There is too much world-building and adventure for someone who is just in it for the romance, and too many romance tropes for someone who is just in it for the science fiction. This includes such contrivances as getting the hero and the heroine in bed together by the necessity of warming one another up after escaping across an icy planet. But the adventure includes a good mystery, as Ada tries to figure out why Richard Rockhurst, a younger son of one of the other High Houses, is suddenly so desperate to marry her, and get his hands on her dowry.

One of the aspects I enjoyed most about Polaris Rising was Ada’s relationship with her siblings, though we only see her substantially interact with her sister, Bianca, and in passing with Bianca’s twin brother. Instead of opting for a fierce or bitter sibling rivalry driven by the political maneuvering of the High Houses, Mihalik instead opts to depict a tight, supportive bond. When their parents try to pit them against one another the von Hasenberg siblings only draw closer, guarding one another’s backs. A second volume is due out later this year, which will follow the adventures of Ada’s widowed sister, Bianca, and House von Hasenberg’s mysterious head of security, Ian.