Category: Science Fiction

Polaris Rising

Cover image for Polaris Rising by Jessie Mihalik by Jessie Mihalik

ISBN 978-0-06-280238-5

Disclaimer: I received a free review copy of this title from the publisher.

“My reckless side, the side that had prompted me to run away from home rather than marry a practical stranger for political power, that side knew I would land on the planet. I had to know if my hunch was correct.”

For two years, Ada von Hasenberg has been on the run from her family, one of the three High Houses of the Royal Consortium that rules the universe. But her luck has finally run short, and when she is captured by bounty hunters, she knows that if she doesn’t escape, she will finally have to return home and make a political marriage of her parents’ choosing. As the fifth of six children, that is really all she is good for to House von Hasenberg. Then she is locked in a cell with Marcus Loch, the criminal better known as the Devil of Fornax Zero, an ex-soldier who reportedly slaughtered his own unit before going on the run. They are two of the most wanted people in the universe, with a fortune in bounties on their heads, but perhaps together they will have what it takes to escape.

The protagonist, Ada, was by far my favourite part of Polaris Rising. Despite her highly political upbringing, she is smart, but not cold, and tough but not bloodthirsty. She can fight, but it isn’t her preferred way of doing business. She takes everything her House taught her with the intention of using it to make her into a spy in a political marriage, and instead turns it towards pursuing her freedom. She did, however, read as somewhat older than the twenty-three the author pegs her at. She acknowledges her chemistry with Loch, but doesn’t fancy herself in love, though she is worried by the fact that she could be.

The love interest, Loch, on the other hand, I could take or leave. He is, in the romance parlance, an alpha, and I don’t tend to enjoy the jealousy and posturing that comes with that type. I found it pretty hard to warm to him any further after he called Ada a bitch in their first real argument. Jessie Mihalik softens him in other ways, such as repeated use of enthusiastic consent, but I was still fairly indifferent overall. Your mileage may vary!

Polaris Rising sits at the intersection of science fiction adventure and romance, and probably requires a reader who enjoys both of these genres. There is too much world-building and adventure for someone who is just in it for the romance, and too many romance tropes for someone who is just in it for the science fiction. This includes such contrivances as getting the hero and the heroine in bed together by the necessity of warming one another up after escaping across an icy planet. But the adventure includes a good mystery, as Ada tries to figure out why Richard Rockhurst, a younger son of one of the other High Houses, is suddenly so desperate to marry her, and get his hands on her dowry.

One of the aspects I enjoyed most about Polaris Rising was Ada’s relationship with her siblings, though we only see her substantially interact with her sister, Bianca, and in passing with Bianca’s twin brother. Instead of opting for a fierce or bitter sibling rivalry driven by the political maneuvering of the High Houses, Mihalik instead opts to depict a tight, supportive bond. When their parents try to pit them against one another the von Hasenberg siblings only draw closer, guarding one another’s backs. A second volume is due out later this year, which will follow the adventures of Ada’s widowed sister, Bianca, and House von Hasenberg’s mysterious head of security, Ian.

Star Wars: Queen’s Shadow

Cover image for Star Wars: Queen's Shadow by E. K. Johnstonby E. K. Johnston

ISBN 978-1-368-02425-9

Disclaimer: I received a free review copy of this title from the publisher.

“Who was she, after all, when she was not Queen of Naboo? She had entered politics so early and with such zeal that she had no other identity.”

Elected Queen of Naboo at a young age, Padmé Amidala Naberrie has defined herself by that identity, having saved her planet from the predations of the Trade Federation, and restored peace with the Gungans who inhabit Naboo’s waters. Now her term as Queen is up, and Padmé will have to discover who she is without politics. But duty will knock again, this time when her successor asks her if she will represent Naboo in the Galactic Senate. Being a Senator of the Republic is quite different from ruling a single planet, and Padmé will find herself in deep politics waters as she struggles to step out from under the shadow of the throne, and into her new role.

Queen’s Shadow covers a portion of the time between the events of The Phantom Menace and Attack of the Clones. It opens on the handmaiden Sabé—played by Keira Knightley in the film—performing the decoy maneuver during the crucial events of the Battle of Naboo. However, the main body of the action takes place during the year or so after Padmé leaves Naboo for Coruscant, where old enemies and new rivals await the young Queen-turned-Senator. Balancing a galaxy is much more difficult than running a planet, with many established factions already in play. Padmé’s reputation as Queen Amidala precedes her, and no one in the Senate has forgotten that she upended tradition and unseated Chancellor Valorum to save her own planet, catapulting Naboo’s former Senator, Palpatine, into the Chancellor’s office.

Anakin Skywalker has little role to play in Queen’s Shadow, and though he is referenced, I do not believe he was ever actually named. Rather, Padmé’s primary relationship in Queen’s Shadow is with her handmaidens, and with Sabé in particular. It is a delicate balance of friend, colleague, and queen, filled with mutual respect, but profoundly imbalanced by duty and loyalty: “Padmé knew in her heart that Sabé would do whatever she asked, even if it meant Sabé’s life, and therefore she was always careful never to ask too much.” The perspectives of the handmaidens are as important as Padmé’s to Queen’s Shadow; they too are in a time of transition, figuring out whether they will stay or go, and how they will serve their former Queen in her new capacity as Senator. Sabé’s plotline follows her to Tatooine, where Padmé hopes to quietly use her money to free slaves, though abolition proves to be tricky work.

Queen’s Shadow is a Star Wars novel written by someone who clearly shares a love for Padmé’s character, and perhaps even a belief in her unfulfilled potential within the films. E. K. Johnston even slips a sly line of dialogue into the epilogue, set after Padmé’s funeral, in which Sabé vents the disbelief of many a fan: “It doesn’t make any sense!….She wouldn’t just die.” I should note here that I am quoting from an ARC, and I sincerely hope this line makes it to final publication! It was such a pleasure to read about a smart and brave woman surrounded by other talented, dedicated women prepared to give their lives to the Republic. Padmé’s canonical fate is not going away, but there is much more to her before that ending.

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Gods, Monsters, and the Lucky Peach

Cover image for Gods, Monsters, and the Lucky Peach by Kelly Robsonby Kelly Robson

ISBN 978-1-250-16385-1

People—especially bankers—had trouble thinking long-term, and nothing was more long-term than ecological restoration.”

After destroying the environment, humanity retreated below ground for centuries, living in hives and hells, eking out an existence. But a new generation dreamed of the sun, and returning to the surface. For six decades, Minh, an ecological restoration specialist, has worked in the Calgary hab, slowly coaxing the surrounding landscape back to life, trying to keep afloat a community that believes in life above ground. But since the discovery of time travel a decade ago, financial backing for ecological restoration has waned, and the younger generation seems less than committed to the dream Minh’s cohort fought so hard for. When the secretive company that controls time travel technology publishes a request for proposal for a multi-disciplinary team to visit Mesopotamia in the past to study the Tigris and Euphrates rivers, Minh knows that it is project she cannot pass up, even as she seriously distrusts the agency in whose hands she will be placing her life, and the lives of her team.

In Gods, Monsters, and the Lucky Peach, Kelly Robson has conjured up an ecological dystopia in which “banks” are actually wealthy individuals who finance only the projects that interest or enrich them. Minh’s generation—the plague babies—cannot hope to achieve their aims without the necessary financial support, but the possibilities opened up by time travel technology would seem to make the slow, patient work of ecological restoration unnecessary. However, time travel is aggressively guarded by the intellectual property rights of the company that discovered it, making it difficult to know what is really possible. The company claims that they can only travel into the past, not the future, and that any changes occasioned by the visit occur in a separate timeline that collapses when the time travelers depart.

Robson’s novella is told through the perspective of Minh, an octogenarian scientist who was a pioneer in her field. A member of the plague generation, she lost her legs to disease, and wears prosthetics, opting for an adaptable six-legged model. Though in somewhat questionable health, she shows no signs of slowing down anytime soon, and her grouchy but determined personality drives the narrative. Although Minh carries the main plot, each chapter opens with a brief section centered on an ancient king, and a priestess who reads the stars to foretell the future. An entirely different set of events seem to play out through their eyes.

This is slow-paced work focused on interpersonal dynamics. The world is sketched out and interesting, but the format does not really leave room to develop it more fully. The main conflict does not take place until the last thirty pages, and the conclusion is open-ended. The balance is devoted to the dynamics between Minh, Kiki, Hamid, and Fabian, the team that travels to Mesopotamia. Kiki is an assistant at the environmental firm Minh works for in Calgary, but she will do whatever it takes be on the special project team. A member of the younger generation—known as the fat babies—she is starving for an opportunity to prove herself, and build a better future. However, she is torn between Minh’s vision for that future, and the possibilities offered by Fabian, the historian who takes them into the past.

Despite the slower pacing, I really enjoyed reading about an older protagonist and the nuanced portrayal of inter-generational dynamics between Minh and Kiki. Given the open-ended conclusion, I would not recommended this for those who hate cliff-hangers. I would also be excited to see what this author could do with a full-length novel in the future.

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Time Was

Cover image from Time Was by Ian McDonaldby Ian McDonald

ISBN 978-0-7653-9146-9

Too many of the war loves I had followed did not survive. Peace killed them. People returned to their old lives and loves; quickly the old order reasserted itself, the very order for which they had fought.”

At the closing of London’s Golden Page book store, an online book dealer finds an anonymous book of poetry dating from shortly before the Second World War. Inside is a love letter from Tom to Ben. An online posting about the two men leads to a woman’s attic in the Fenlands, where her grandfather keeps an archive of his father’s war, including a photo of a group of British soldiers in Alexandria. But deep in the bowels of the Imperial War Museum’s photo archives, more images are waiting to be discovered. Because Tom and Ben’s story span’s time, from Crimea to the Rape of Nanking, to Bosnia, wherever there is a war, there seems to be a photo of the two lovers, caught in the midst of the conflict, and our bookseller becomes obsessed with how they got there.

Time Was is told in alternating chapters, one in the present timeline, and then one that follows Tom and Ben when they are stationed at a military project on the East Coast of England while the country prepares for a German invasion. Ben is a scientist, while Tom is an itinerant poet and messenger boy, but they secretly fall in love in the midst of the secretive chaos of the Uncertainty Squad’s classified undertaking. However, Tom and Ben are less important as characters themselves, than they are as the subject of the narrator’s obsession, and his trip down the rabbit hole into figuring out how two men who appear to age very little could appear in photos from wars more than a hundred years apart. As the narrator tracks down other copies of Time Was, we also get to read more letters from Tom and Ben, but they remain at a remove.

Our narrator has an old friend at the Imperial War Museum, who conveniently provides access to the photo archive, as well as a peek at information that is not officially for public consumption. Shahrzad also has a gift as a super-recognizer that speeds up the plot; there is no need to chronicle a long intensive search, as might be done in a novel, though to be sure, McDonald chronicles an obsession that spans years. Shahrzad’s skill, and the access provided by her job allows the narrator to be obsessed with the clues rather than the research itself, to the exclusion of almost everything else. While this speeds up the research, it also highlights a rather unappealing aspect of the narrator; he uses the women around him to further his quest, with no regard for them. In addition to using Shahrzad’s access, he also moves in with Thorn, the woman whose attic yielded the first clue in his search. (But we shouldn’t feel bad when he leaves her in the end, because it turns out that she was sleeping with a bunch of other men!)

Alongside the plot, Ian McDonald builds in a lament for the death of the brick and mortar book store. When they are separated across time, Ian and Ben leave copies of the anonymous book of poetry, Time Was, in independent bookstores across the world, with letters inside. Each bookstore holds special instructions not to sell the book, and to buy any copy of the book they find elsewhere. If a bookstore closes, the book should be sent to another. But as the modern era dawns, Ben and Tom’s messaging drops are dwindling, going out of business one by one.

As a story, Time Was is melancholy and slightly unsatisfying. It was pitched to me as a sad but romantic gay time travel story, and certainly that is what the cover copy, which focuses on Tom and Ben, and never mentions the narrator, would lead you to believe.  There are some good aspects to the story that McDonald has actually written, from beautiful prose, to cool science, and great use of epistolary elements, but the protagonist of this novella is the bookseller, and the story told here is his.

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Record of a Spaceborn Few (Wayfarers #3)

Cover image for Record of a Spaceborn Few by Becky Chambers by Becky Chambers

ISBN 978-0-06-269922-0

Disclaimer: I received a free review copy of this title from the publisher as part of the Harper Voyager Super Reader program.

She thought of the Asteria, orbiting endlessly with its siblings around an alien sun, around and around and around. Holding steady. Searching no more. How long would it stay like that?”

Long ago, the Fleet left behind the dying Earth, tearing down cities to build generation ships that headed for the stars in search of new worlds. The Exodans also left behind the systems and values that destroyed their home world, creating a new culture of sharing, equality, and responsible resource use aboard the homesteaders, a culture that would enable them to survive together in the generations it would take to reach their destination. Now, the Fleet orbits an alien sun, and many of its sons and daughters have left the ships behind for lives on new planets, among the Harmagians, or the Aandrisk, or other peoples of the Galactic Commons that have welcomed Humans into their cultures to varying degrees. But many still live aboard the ancient homesteaders, still repairing and reusing everything, and living in a communal culture of values that were designed to serve a temporary purpose, but have instead become a way of life. But what will become of the Exodan culture now that the Fleet has served its purpose?

The third volume of Becky Chambers’ Wayfarers series is set aboard the Fleet, home of the Exodan culture from which the Wayfarer’s Captain Ashby hailed. The main events of this installment take place in the aftermath of The Long Way to a Small, Angry Planet, which would make them roughly concurrent with A Closed and Common Orbit. Likewise, it follows a new cast of characters.

Record of a Spaceborn Few is composed of many disconnected points-of-view belonging to various people who live aboard the Asteria, one of the many ships of the Fleet. Isabel is the head archivist, responsible for keeping records, conducting ceremonies, and maintaining the memory and purpose of the Fleet. Kip is a teenager struggling to find his purpose, going from one job-trial to another as Exodan culture demands, but really dreaming of leaving the Fleet to see the galaxy. Sawyer is a stranger who grew up on a Harmagian world, but is finally fulfilling the dream of seeing the Fleet from whence his ancestors hailed. Tessa is Ashby’s sister, the child who stayed behind when her brother left for the stars. Now she has children of her own, including a daughter who has been traumatized by the explosion of another Fleet ship four years earlier. Eyas is a caretaker, responsible for the Exodan death rites, and returning the people the Asteria to the soil which grows their food, completing the life cycle. But her highly respected ceremonial role leaves her feeling lonely and disconnected. The final perspective belongs to Ghuh’loloan, a Harmagian scholar who is visiting her colleague Isabel aboard the Asteria to study Exodan culture. Her point-of-view is indirect, coming in the form of blog posts she is making about her trip for the Reskit Institute of Interstellar Migration.

One of my favourite things about the Wayfarers series is the world and culture building, and seeing how all of the different alien cultures interact with another. So it was cool to finally see the Fleet where the Exodans come from, and think about how it developed over time, changing from its original purpose of sustaining Humans to the stars, to an independent culture of its own. However, I felt disconnected from the characters, possibly because they have very little relationship to one another. The Long Way to a Small, Angry Planet also had a large cast, but I came to care about them all partly through their relationships to one another. By contrast, the characters in Record of a Spaceborn Few are only passingly connected. Kip completes a job-trial with Tessa as his supervisor. Eyas and Sawyer have a fleeting conversation in a public corridor. For the most part, they do not know one another. Yet these indirect relationships are undoubtedly significant. Ghuh’loloan and Tessa never meet or interact, but Ghuh’loloan’s mere presence aboard the Asteria ends up changing the course of Tessa’s life. Sawyer knows no one when he arrives on the Fleet, but he too will impact the lives of everyone aboard. This is the nature of a introducing something new into a closed, interdependent system. The narrative follows this ripple effect.

Despite this perhaps being my least favourite of the Wayfarers books, I am still sad to leave this universe behind, and I look forward to Becky Chambers potentially returning to it in the future. I’d love to see more of the Aandrisk culture, or the conflict between the Exodans of the Fleet and the Solan humans who remained on Mars. So many possibilities still remain!

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A Closed and Common Orbit (Wayfarers #2)

Cover image for A Closed and Common Orbit by Becky Chambersby Becky Chambers

ISBN 978-0-062569424

As Jane headed back home, she decided something, and she knew it better than she’d ever known anything. She would die someday—no getting around that. But nobody would find her bones in the scrapyard. She wasn’t going to leave them there.”

The new installation of the AI known as Lovelace has left the Wayfarer and her crew behind to mourn, and joined Pepper and Blue on Port Coriol to build a new life for herself. Away from the Wayfarer, she is free of the expectations and grief of her old installation’s friends, and she can begin to adjust to life in a body kit, rather than a ship. But the code that governs her comes with some protocols that threaten to expose the truth about her origins. She cannot lie, she cannot alter her own code, and she must respond to direct commands. While she and Pepper search for a solution, she must carefully hide her true nature, while also learning how to live in a body, without constant access to the Linkings, or the ability to see from multiple cameras at all times. Throughout it all, she has to wonder, is it really worth having a body? Or would she be better off back in a ship, as her designers intended?

After really enjoying The Long Way to a Small, Angry Planet, I was both excited and hesitant to read this follow up. I became surprisingly invested in the romance between Jenks and Lovey, and their plan to get Lovey a body kit, so I wasn’t sure how I felt about following a character who was Lovelace, but was decidedly not Lovey. Lovey is dead, and this new AI has no relationship to the crew of the Wayfarer, and finds herself in a body that she agreed to inhabit, but did not choose for herself, so that she can leave the Wayfarer and its crew to grieve in peace. However, I found that once Lovelace chooses a new name for herself, and becomes Sidra, I was able to settle into the story of her life on Port Coriol, and her new friendships with Pepper and Blue. That said, Becky Chambers still managed to punch me in the gut a few times by having Sidra write, and then delete, several emails to Jenks.

In contrast to the multiple shifting perspectives of The Long Way to a Small, Angry Planet, A Closed and Common Orbit is told from two alternating perspectives, in two timelines. The main events pick up right after the end of the previous book in Sidra’s point-of-view. The alternate chapters take place in the past, and are told from the perspective of Jane 23, a young girl who escapes from a life of factory slave labour sorting scrap and trash on a world inhabited by a group of humans known as the Enhanced. Out in the junkyard, where the Mothers cannot follow, she takes refuge aboard an abandoned, derelict ship, which is still semi-functional thanks to its solar panels. With help from the ship’s AI, Owl, Jane begins to make plans to escape the only world she has ever known. Through these two points of view, Chambers creates two different but complementary narratives about how a human might come to regard an artificial intelligence as a person deserving of the same rights they themselves enjoy.

Indeed, one of the striking things about the Wayfarer books is how Chambers really succeeds in creating emotional investment in AIs as characters. I was devastated by Lovey’s fate in The Long Way to a Small Angry Planet, and this in turn gave me complicated feels about Sidra going into book two. However, in this volume, I become most invested in Owl, the AI who raises Jane, slowly teaching her everything the Mothers deliberately keep from their charges, and helping her develop the skills she will need to repair the ship and escape the planet. After what happened to Lovey in the first book, I desperately needed for Owl to be okay. In as much as I enjoy a good, dark, gritty science fiction, fantasy, or dystopia, this series has really reminded me how much I also enjoy hopeful speculative fiction, which doesn’t deny the darkness in the universe, but dares to imagine a bright future anyway.

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The Long Way to a Small Angry Planet

Cover image for The Long Way to a Small, Angry Planet by Becky Chambersby Becky Chambers

ISBN 978-0-06-244413-4

Living in space was anything but quiet. Grounders never expected that. For anyone who had grown up planetside, it took some time to get used to the clicks and hums of a ship, the ever-present ambience that came with living inside a piece of machinery… Silence belonged to the vacuum outside.”

When Rosemary Harper abandons her privileged life on Mars for a new identity, and takes a job as a clerk aboard the Wayfarer, her only expectation is to get away from the past. Aboard the ship is a motley inter-species crew that makes their living by building wormholes for interstellar travel, and Rosemary has been brought aboard to keep their permits and paperwork in order, so they don’t lose their license. Their latest job begins when a new species is welcomed into the Galactic Commons, which will necessitate building new tunnels to facilitate travel and trade. But the Toremi Ka are only one clan of a warring, nomadic species, Hedra Ka is their newly claimed territory, and the Wayfarer and her crew may be flying into a war zone.

The plot setup led me to believe that the main thrust story would involve the crew getting into trouble at Hedra Ka, where Galactic politics would enter into the equation, and the desire for the resources to be mined in Toremi territory would lead to problems for the Wayfarer. However, much of the story actually takes place aboard the Wayfarer on the journey out to Hedra Ka. They must travel there the long way, since there are no existing wormholes to speed their trip. From there they will punch a tunnel to a marker that will be placed at the other end by another crew. There is plenty of science working beneath the premises Chambers puts forth, but her story is character-driven, and technology is decidedly not the focus. Rather it is the development of the relationships among the crew on this journey that take center stage.

The long journey means that the book is heavy on world-building and character development. Chambers dedicates much of her energy to fleshing out the various species that can be found aboard the Wayfarer, and beyond. The captain, Ashby, is a fellow human, but while Rosemary grew up on Mars, Ashby is an Exodan, raised aboard a multi-generational space ship that fled the dying Earth. His lover, Pei, does not live on the Wayfarer, and because she is an Aeluon, their relationship must be kept secret. Pacifist, tolerant Ashby is a sharp contrast to the algaeist, Corbin, who provides the ship’s fuel, but not much else. The techs, Kizzy and Jenks, are also human, but have their own unique histories as well. Jenks is in love with Lovey, the AI who monitors the ship, and returns his affection. The pilot, Sissix, is an Aandrisk, a free-loving reptilian species, but when they punch a new wormhole, she is guided by Ohan, a Sianat Pair. Their species is infected by a virus that enables them to perceive space-time differently. They are all fed and cared for by Dr. Chef, who hails from a dying species that fought itself to the edge of extinction. I am a sucker for a found family narrative, and The Long Way to a Small Angry Planet is great exemplar of a sci-fi take on this trope.

Chambers frequently changes point-of-view between the various characters, who all have their own unique perspective on things. Humanity is not the default, and many key insights and perspectives come from the non-human characters. However, these frequent changes weren’t always well delineated in my Kindle edition, and I often had to backtrack when I realized there had been a jump. Nevertheless, I enjoyed getting to hear from all of the different characters, and seeing the various situations that arose through each unique cultural lens. I really appreciated the attention Chambers put into the inter-species relationships, and the accommodation of differences. If you’d asked me in advance if I could ship a romance between a human and an AI, I probably would not have been into it, but she easily managed to get me on Jenks and Lovey’s side. One benefit of having put off delving into this series for so long is that I can immediately go read the other books in this series, although the follow-ups focus on different characters. But I am excited to get more of this universe, and the unique sensibility Chambers has developed for it.

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Planetside

Cover image for Planetside by Michael Mammayby ISBN 978-0-06-269466-9

Disclaimer: I received a free review copy of this title from the publisher.

I needed to pound my head against a wall where nobody could see me. The stench around Mallot’s disappearance was getting stronger. A high councilor’s kid had disappeared into nowhere, and somebody wanted it covered up.”

Colonel Carl Butler is working a semi-retirement post at Student Command, only a year from finishing his service, when his old friend General Serata calls in a favour. The son of a High Councilor is Missing in Action on Cappa, one of the highest conflict zones in the universe. But Lieutenant Mallot isn’t just missing; he disappeared off a medical transport enroute back to Cappa Base, and hasn’t been seen since. Worse, no one on Cappa Base seems to want to cooperate with the investigation into his disappearance. Butler arrives on Cappa Base to find tensions running high. Medical Command doesn’t want him in the hospital questioning their personnel. The Spec Ops colonel who has been stationed on Cappa for over two years never leaves the planet, and won’t return Butler’s calls. Something is seriously wrong, but figuring out what may come at price Butler isn’t prepared to pay.

Planetside is narrated in the first person by Butler, who has the kind of narrative voice you might expect in a hard-boiled mystery or military sci-fi. So I was understandably expecting a hard-drinking, womanizing, fairly unlikeable narrator who would probably cheat on the wife he left behind on their home planet. I was therefore pleasantly surprised that while Butler is indeed hard-drinking—he flouts military rules to transport a case of his favourite whiskey to Cappa Base—none of the women we encounter are set up as flimsy love interests or sex objects. I was particularly worried on first meeting Alenda, who is assigned to assist Butler when he arrives on Cappa. Alenda, however, is a thoroughly competent aide, though it takes her a while to earn Butler’s trust. She also has a wife and kids back home. Butler is a bit protective of her in a way that is kind of annoying, but which makes sense for his character. Mammay’s space is also not pasty white, with characters from Alenda to Xiang, Patel, and Chu.

The planet Cappa has strong parallels to the Middle East. It is a desert planet, and Spec Ops intel says that while most of the locals are friendly, there is small but powerful insurgency that continues to fight occupation. Cappa is one of the few planets humans have discovered inhabited by sentient, humanoid life forms, but the desire to mine the silver that is key to many of their technologies overrides any better intentions that might have argued against occupying the planet. Space Command has been fighting there for more than eighteen years, with no end in sight. Mammay doesn’t do a lot of world-building outside of the situation on Cappa, and we don’t know a lot about how humans expanded across the universe. But we do know that it has been a ruthless and imperialist resource-driven expansion that has wiped out lifeforms on planets not habitable by humans in order to facilitate mining. While the lack of sexism and homophobia is refreshing, the military and political structure of this universe is rife with its own issues, mirroring on a universal level the problems that are currently destroying our planet.

Butler spends much of the book trying to get a meeting with Spec Ops chief Colonel Karikov, who has a distinct Kurtz/Heart of Darkness thing going. He hasn’t been up to Cappa Base in over two years, and when Butler digs deeper into the situation, he can’t find anyone who has spoken directly to the Colonel anytime recently. The early part of the book has a vibe that is more mystery than military, but when Butler heads down to the surface, things get more tactical, as obstacles are thrown in the way of his getting to Karikov’s base. These parts were a bit slower going for me, but I was engaged enough in the mystery to push through the descriptive military engagements which I found less interesting, but which would no doubt appeal to the military sc-fi fans who are the more likely audience for this book.

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