Category: Young Adult

Canada Reads Along 2018: The Marrow Thieves

Cover image for The Marrow Thieves by Cherie Dimalineby Cherie Dimaline

ISBN 978-1-77086-486-3

Everyone tells their own coming-to story. That’s the rule. Everyone’s creation story is their own.”

Fifteen-year-old Frenchie is a survivor, the last remaining member of his family after seeing his brother snatched by the government. In a near-future where the world is falling apart thanks to the results of global warming, society is also plagued by a new problem. People have forgotten how to dream, and this dreamlessness is slowly driving them mad. Only the Indigenous population retains the ability to dream, and it is their bone marrow that seems to hold the key to why they have not succumbed to this new plague. As the madness spreads, the government takes a page from history, and begins herding the remaining First Nations people into facilities modeled on residential schools, where their marrow is harvested at the cost of their lives. The few who remain free push northward into the wilderness, trying outrun the reach of the government. But a confrontation with the Recruiters is inevitable, and one day there will be nowhere left to run.

The Marrow Thieves opens with Frenchie’s coming-to story, a flashback that recounts how he came to be on the run in the northern bush, and who he was before the plague came. The bulk of the story is set in the bush, but several of the characters in the party share their own coming-to stories over the course of the book. There are also bits of Story mixed in, times when the elders Miig and Minerva pass down their knowledge to the youth that they are taking north. Hearing Story is both a privilege and a responsibility to become the carriers of their heritage going forward into an uncertain future. So much has already been lost, or deliberately stripped away, and the kids cling to the little bits of Story and language that remain to them, that help them understand who they are, and why they are hunted. It is their weakness, but also their truth, and their power.

Using a futuristic echo of the residential school system, The Marrow Thieves examines how Canada might repeat the horrors of the past by failing to acknowledge or reconcile with them. The science fiction element of extracting dreams from bone marrow is not deeply explored in a technical sense. Rather, the bone marrow becomes a powerful metaphor for what has been taken from Indigenous peoples, as well as the appropriation of their culture by those who have already taken their land, their resources, their homes, and their families, and are still not satisfied by the destruction they have wrought. It is a gut-churning portrayal entitlement.

Despite the dark premise, and the threat that Frenchie and his friends are facing, I still found an abundance of hope in The Marrow Thieves. Although they are on the run, the characters still build lives, families, and friendships. They care for Minerva, who has deep roots to the culture, but who would not be strong enough to run on her own. They protect little RiRi, the youngest of their group, slowly helping her to understand what things were like before her birth, and what has been done to their people since then. Miig mourns the husband that he lost, but finds his purpose in protecting and teaching the youth who are left. And Frenchie and Rose are clumsily falling in love, haltingly trying to figure out themselves, and one another, and what it means to love in a world like the one they were born into.

The Marrow Thieves was defended in this year’s Canada Reads competition by R&B singer-songwriter Jully Black. Back on Day One, Black championed The Marrow Thieves as a hopeful book that acknowledges the power of the youth voice, and the importance of hearing Indigenous stories and understanding Canada’s original injustice. During her Day Three opening, she said that she felt the book was more important than ever in light of the breaking news that Pope Francis is refusing to issue an apology for the role of the Catholic Church in the abuses of the residential school system, despite the recommendation of the Truth and Reconciliation Commission.

The Marrow Thieves has had a tough row to hoe on Canada Reads 2018 from Day One. As the only Young Adult book in the competition, panelists repeatedly singled it out, recommending it for use in schools, but denying that it could be the “One Book to Open Your Eyes” that adult Canadians need to read. Jully Black argued for the importance of the youth perspective, and further that “the soul has no age.” After the book he was defending, Precious Cargo, was eliminated on Day Two, free agent Greg Johnson went so far as to announce that in addition to donating twenty-five copies of Precious Cargo to schools, he was also purchasing twenty-five copies of The Marrow Thieves. He highlighted the hopefulness of the book, and the fact that it was about the kids’ journey to rediscover their history.

During Day One, Jeanne Beker had derided the despair and fear of The Marrow Thieves, arguing that it might alienate readers. The point was raised again on Day Two, and Jully Black challenged her to think about who might be made uncomfortable by the book and why. Tahmoh Penikett defended the book as having resonated with him on many levels, particularly considering his mother’s experiences in the residential school system. However, both Penikett (a science fiction actor) and Mozhdah Jamalzadah expressed that they were taken out of the story by the lack of explanation about how the bone marrow extraction worked. Jully Black argued that the bone marrow was a metaphor, and that we do not need to understand the process in order to connect with what the bone marrow represents. Drawing a parallel to the residential schools, she argued that we do not need to see behind the drywall to the architecture of the school building to know that the system was harmful.

The Day Three debate focused on the differences between memoir and fiction, reading as an enjoyable experience, and compelling characters. These question led the panelists to mostly discuss American War and Forgiveness, with less specific discussion of The Marrow Thieves compared to previous days. When the ballots were cast, Jully Black and Greg Johnson formed an unsurprising alliance, voting against American War. Tahmoh Penikett and Jeanne Beker voted against The Marrow Thieves. This put the final vote in the hands of free agent Mozhdah Jamalzadah, whose choice made The Marrow Thieves the third book to be eliminated from Canada Reads 2018.

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Catch up with the 2018 Canada Reads debates starting with Day One, or tune into the program with CBC 

And if you loved The Marrow Thieves as much as I did, you might also like The Interrogation of Ashala Wolf by Indigenous Australian author Ambelin Kwaymullina

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The Cruel Prince

Cover image for The Cruel Prince by Holly Black by Holly Black

ISBN 978-0-316-31027-7

What they don’t realize is this: Yes, they frighten me, but I have always been scared, since the day I got here. I was raised by the man who murdered my parents, reared in a land of monsters. I live with that fear, let it settle into my bones, and ignore it. If I didn’t pretend not to be scared, I would hide under my owl-down coverlets in Madoc’s estate forever. I would lie there and scream until there was nothing left of me. I refuse to do that. I will not do that.”

Seventeen-year-old Jude and her twin sister, Taryn, are mortals who have lived in Faerie since they were children, raised by the Faerie general who murdered their parents in order to retrieve his daughter, their half-sister Vivi. Despite this violent beginning, Jude longs to find her place in the High Court of King Eldred, and dreams of knighthood and acceptance. However, many of the high fey will never see a mortal as anything more than a servant, to be used and discarded at will. Worst among these is Prince Cardan, youngest of the High King’s sons, who seems to have a special hatred for Jude, and the way she had been raised as if she were part of the Gentry. When the High King announces that he will abdicate his throne, and pass the Blood Crown to one of his six children, Jude is caught up in political intrigues and violent betrayals, and is quickly reminded why the Faerie Court is no place for humans.

The Cruel Prince follows three sisters trying to find their place in the world(s). Though she is the only one who has magic, Vivi longs to return to the human world where she was raised. Jude and Taryn, though they know that Faerie is designed to dazzle mortals, are nevertheless enchanted with it, and dream of finding a way to make it their place forever, rather than somewhere that they live at the grace of the man who killed their parents. Taryn hopes to make a marriage that will secure her a place at court, while Jude hopes to use her talent with a blade win a post in one of the great houses. Each in turn is faced with the question of what price they will pay in order to get what they want.

Through the character of Jude, and her development, Holly Black examines what we are capable of, and how far we will go to get what we want. Jude dreams of being a knight, and wants to declare herself a candidate for selection as such by one of the great houses during the summer tournament. But her adopted father, Madoc, a redcap with violence as his very essence, does not believe that Jude has what it takes to be a knight, despite her skill with a blade. With the obvious and honourable path closed to her, Jude accepts a different bargain, one that reveals an even darker side of the High Court, and reminds Jude why Faerie is a dangerous place for mortals, especially at a time when power is about to change hands.

Though she knows the ways of Faerie, and has been trained as a warrior by the general himself, Jude is at a constant disadvantage. She has no magic of her own, and must constantly be wary of the magic around her. She must wear rowan berries to ward off compulsion, turn her stockings inside out to avoid being led astray, and salt all her food to prevent ensorcellment. She must rely on her wits, and her merely mortal strength to face down those who would put her in her place. And Prince Cardan and his friends seem bent on demonstrating that however at home she feels in Faerie, however well she think she knows the rules, she will always be a mere mortal. It is this very weakness, and her determination not to give into it that makes Jude a compelling narrator.

The Cruel Prince is a twisty and intricately plotted fantasy that takes us deep inside the High Court of Faerie. Holy Black knows just how to hit my expectations enough to keep me satisfied, while simultaneously subverting them enough to keep me intrigued. I am already eagerly awaiting the release of The Wicked King in 2019.

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Also by Holly Black:

The Darkest Part of the Forest

The Coldest Girl in Coldtown 

The Iron Trial 

Beneath the Sugar Sky (Wayward Children #3)

Cover image for Beneath the Sugar Sky by Seanan McGuireby Seanan McGuire

ISBN 978-0-7653-9358-6

“For others, the lure of a world where they fit is too great to escape, and they will spend the rest of their lives rattling at windows and peering at locks, trying to find the way home. Trying to find the one perfect door that can take them there, despite everything, despite the unlikeliness of it all.”

When Rini lands in the duck pond behind Eleanor West’s Home for Wayward Children, she is looking for her mother, Sumi. But Sumi was murdered three years earlier, and never found the door back to her Nonsense world to defeat the Queen of Cakes, marry her candy corn farmer, and live happily ever after with their daughter. Rini shouldn’t even exist, and now reality is beginning to catch up with her as she starts to fade away. Quests are strictly forbidden at the school, but can Sumi’s friends really allow her daughter to have never been born?

Beneath the Sugar Sky marks the third installment in Seanan McGuire’s Wayward Children series. The books do not need to be read strictly in order, but the author recommends reading Every Heart a Doorway before this volume. Down Among the Sticks and Bones, being a prequel, can really be read before or after the first book. But since the plot of this novel hinges on a murder that took place in book one, and continues with some characters from that volume, beginning there is suggested.

While Every Heart a Doorway was about the aftermath of returning from a portal world, Beneath the Sugar Sky is a true portal fantasy that involves examining what happens to the worlds the children leave behind when they are pulled back to Earth. When Sumi ceases to exist, the Queen of Cakes is never defeated, and her prophecy goes unfulfilled. This third installment allows us to visit not one but two of the portal realms described in the first book, including Nancy’s Halls of the Dead, and Sumi’s Nonsense world, Confection. The latter is particularly interesting since most of the protagonists themselves visited Logical worlds, and struggle with the rules of a Nonsense realm like Confection.

The adventurers are Kade and Christopher, who will be familiar from Every Heart a Doorway, and Nadya and Cora, who are both girls who visited water worlds. Together, they set out with Rini for the Halls of the Dead, to find out where Sumi’s spirit went when she was murdered, and if there is any way to return her to her world so that Rini will still be born. The central perspective belongs to Cora, who was a mermaid in the world she visited, a world where the size of her body made her a strong swimmer, protected from the cold water, and not the object of mockery from her school mates. Body image forms a central issue for this volume.

In reading this installment of the Wayward Children, I was unexpectedly captured by Confection, though I’m more inherently curious about darker worlds like The Moors, and the Halls of the Dead. But the idea of a somewhat internally consistent Nonsense world was really good fun, and McGuire used it to great advantage. For example, no matter how far apart they are, nowhere in Confection is more than a day’s journey from anywhere else, and McGuire is able to use this to keep the novella-length plot tight. Her prose is as beautiful as ever, and I just let myself roll with the absurdity of the adventure, including a visit to the Oven, the heart of Confection. This universe has developed nicely throughout the series, and while this was the last guaranteed volume, I am hopeful that we might yet be able to look forward to more adventures.

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You might also like The Ocean at the End of the Lane by Neil Gaiman

Wild Beauty

Cover image for Wild Beauty by Anna-Marie McLemore by Anna-Marie McLemore

ISBN 978-1-250-12455-5

For a hundred years, La Pradera has bloomed under the hands of the Nomeolvides women, five in every generation, whose magic brings to life what was once a barren landscape unfit for farming. But the Nomeolvides women are cursed; any man that they love too much, who stays too long, will disappear into La Pradera, never to be seen again. They have lived with this pain for generations, defined and shaped by it. So when Estrella and her four cousins make an offering to the land, and a boy appears, a boy who seems to be out of his time, a whisper of hope goes through the family. Fel has no memory of how he came to La Pradera, but what if he was the disappeared lover of a long ago Nomeolvide woman? But even as the women begin to hope that their lost loves may not be lost forever, the arrival of a new member of the family that owns the land they are bound to threatens everything they have built.

La Pradera is a vivid setting, a place of magic and tragedy. The Nomeolvides women have worked the land there for a hundred years, but beautiful as they have made it, they can never leave it, or La Pradera will take its revenge. But though they are bound to this land, they do not own it. It belongs to the Briar family, a wealthy clan that hides their rejects and failures on this distant estate. When Marjorie Briar dies, Reid Briar waltzes into town, fully expecting to seize control of the estate from Bay, the illegitimate daughter of a Briar, who was raised by Marjorie, and named her heir. The power imbalance between the Briars and the people who have worked their land forms an important part of the story.

Despite the curse, romance is woven through Wild Beauty. All five of the Nomeolvides girls are a little bit in love with dashing Bay Briar, nominal heir to La Pradera. They do not know if a woman can be disappeared by their love, but they are all afraid to find out, and so they keep their affection for her at a distance. When Fel appears, he and Estrella are repeatedly drawn to one another despite her mother’s warnings. Though the land gave him back, they all worry that he could disappear again. And what if he really was once the lover of a dead woman he can’t remember? In the course of the story, both Bay and Fel must emerge as their own people before questions about who can love them will be answered.

In addition to being a romance, Wild Beauty has a strong theme of family, especially the relationship between Estrella and her cousins. The older generations of women are more distant and less well known. Estrella and her cousins are pushing themselves away from their mothers and grandmothers, as much as they can when they are all bound to the same land, unable to leave it for very long. They hope to somehow avoid the fate of their ancestors, as every new generation hopes, and that drives a wedge between them and their mothers, aunts, and grandmothers. The older women try to keep the peace and protect their daughters, but Estrella seems determined to stand up to Reid, whatever the cost.

In this, her third novel, Anna-Marie McLemore returns with her lush, polished prose and fine touch for magic realism. Although slower paced, her novels always deliver for atmosphere, character, and emotional impact, and Wild Beauty is no different.

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Also by Anna-Marie McLemore

The Weight of Feathers

When the Moon Was Ours 

Top 5 Non-Fiction Reads of 2017

These are my favourite non-fiction titles read or reviewed (not necessarily published) in 2017. Click the title for a link to the full review where applicable. See the previous post for my top five fiction reads of the year.

Born a Crime

ISBN 978-0-385-68922-9

Cover image for Born a Crime by Trevor NoahWhen Trevor Noah was born in South Africa in 1984, his existence was literally illegal, proof that his black, Xhosa mother and his white, Swiss-German father had violated the Immorality Act of 1927, one of the many laws defining the system known as apartheid. Noah is observant, and able to clearly convey the absurdity of the system he was born under while also explaining its function for a North American audience that is probably not terribly familiar with the ins and outs of apartheid. In addition to an interesting life, Noah also has a good sense of pacing and narrative style that make his recollections particularly illuminating. Noah is known as a comedian, successor to Jon Stewart as host of The Daily Show, but while there is an understated humour present in Born a Crime, for the most part it is memoir, not comedy. The humour comes mostly in the form of sly comments, though some of the stories are indeed laugh out loud funny. I actually read this book twice this year, once in print, and again as an audiobook, and would highly recommend it in either form.

Categories: Memoir, Humour

March: Book Two

ISBN 978-1-60309-400-9

Cover image for March: Book Two by John Lewis and Andrew AydinThis is a shout out to the entire March Trilogy, written by Congressman John Lewis with former congressional aid Andrew Aydin, and art by Nate Powell. The trilogy captures Lewis’ experiences as a civil rights leader and organizer, before going on to represent Georgia’s fifth congressional district for more than thirty years. In March: Book Two, Lewis and Aydin really master the structure of the frame narrative, which was a little stilted in the first volume. Lewis’ recollections of his time as an activist are framed by memories of Inauguration Day 2009, an especially striking juxtaposition with the violence that met peaceful civil rights protests. Book Two powerfully covers key events in the movement’s history, such as the lunch counter protests, the Freedom Rides, and the March on Washington.

Categories: Memoir, History, Graphic Novel

Here We Are: Feminism for the Real World

ISBN 978-1-61620-586-7

Cover image for Here We Are, Edited by Kelly JensenFeminism is a concept that has been loaded down with a lot of cultural baggage. In this collection of essays, poems, comics, and lists, editor Kelly Jensen has pulled together a selection of pieces for a teen audience that aim to clarify misconceptions, share experiences, and reinforce empathy for a variety of journeys and perspectives. Here We Are contains enough broad variety that no doubt different pieces will speak to different readers. It is reaffirming to read about people who share your experiences, and enlightening to read about different ones. Interspersed with the longer essays are short, fun pieces, such as feminist music playlists, poems, and comics. There were only a few things I thought were notably absent, such as a piece about affirmative consent to complement the discussion of rape culture. The chapter on romance and sexuality could also have used an essay about asexuality and aromanticism. Overall, however, I was pleased with the diversity of this introduction to feminism, and would heartily recommend it.

Categories: Young Adult, Essays

A Mother’s Reckoning

ISBN 978-1-10190-276-9

Cover image for A Mother's Reckoning by Sue KleboldIt is with caution that I include on this list a book that has stuck with me, perhaps even haunted me, since I read it this fall. Sue Klebold’s memoir is an intimate and gut-wrenching look inside the home of an ordinary little boy who grew up to be a high school mass murderer. When her son committed suicide in the school library following the rampage, she was left with more questions than answers, and a difficult public reckoning that continues to flare up to this day. Klebold does her best to recount the events in a way that is compatible with existing guidelines for responsible reporting on such tragedies in order to prevent imitation, something which she sharply calls out the media for failing to do in their treatment of the events at Columbine High School. It is a harrowing read because it shows people who commit terrible acts of evil as human, leaving aside the question of whether those who do monstrous things need to be humanized. I can’t imagine how upsetting this account might be for anyone who lost loved ones at Columbine, and it is for this reason that place a caveat on my recommendation of this title. Nevertheless, I can’t stop thinking about this book.

Categories: Memoir

How to Survive a Plague

ISBN 978-0-30770-063-6

Cover image for How to Survive a Plague by David FranceThis history is an insider’s look at the activists who advocated for AIDS treatments and victim’s rights in the early days of the epidemic. France’s account centers on New York, and the founding of such organizations as ACT UP and the Treatment Action Group, as well as the safe sex movement. France truly makes the reader feel the uncertainty and fear of the early days of the AIDS epidemic, when even the cause of the disease was a mystery. How to Survive a Plague also delves into the bureaucracy and homophobia that delayed the development of effective AIDS treatments by researchers and public health officials. Desperation led to thriving experimental drug undergrounds without proper oversight or data collection. Especially if you were born after AIDS went from being a death sentence to a manageable health condition, this is an essential and illuminating read about a key aspect of LGBTQ+ history.

Categories: History, LGBTQ+

And that’s it for 2017. See you all  on the other side.

Top 5 Fiction Reads of 2017

These are my favourite fiction books read or reviewed (but not necessarily published) in 2017. Click the titles for links to full reviews where applicable. Check back later for my top five non-fiction picks of the year.

The Break

ISBN 978-1-4870-011-7

Cover image for The Break by Katherena VermetteI first read Katherena Vermette’s novel earlier this year as part of Canada Reads Along 2017. The Break is the heart-wrenching story of a community that has been repeatedly torn apart by violence, as Winnipeg’s indigenous population struggles with the lingering effects of colonization. Through the skillful use of multiple narrative perspectives, Vermette illustrates how trauma accumulates and cascades down through the generations, becoming compounded as those who have been hurt try to raise the next generation of children. When a young indigenous woman is attacked on Winnipeg’s troubled North side, her family gathers around her hospital bed. Four generations of women close ranks, belatedly trying to protect their victimized relative. However, as they struggle to understand what has happened, the spectres of their own traumatic pasts begin to rise, demanding to be acknowledged at last. US readers, this book is coming your way March 6, 2018 from House of Anansi Press.

Categories: Canadian

The Hate U Give

Cover image for The Hate U Give by Angie ThomasThe Hate U Give is a brutal coming-of-age story about the harsh realities that face young black men and women in America. Starr Carter is a girl with a foot in two worlds. By day, she attends Williamson, a suburban prep school where she is one of only two black students in her year. In the evening, she goes home to Garden Heights, the city’s poor, black neighbourhood, where she has lived all her life. She is one person at home and another person at school, because she can’t be too “bougie” in the neighbourhood, or too “ghetto” at school. But the wall she has carefully built between her two selves begins to crumble when she is the only witness to a police officer shooting and killing her childhood friend, Khalil. Thomas’ debut novel is fundamentally about identity, and Starr’s struggle to bring the two halves of herself together. But it is also about families, communities, and building relationships. The strength of this narrative is in the way it balances the hard topics—racism, police violence, gangs, drugs—with themes of family, friendship, justice, and love.

Categories: Young Adult

Neverwhere

ISBN 978-0-06-282133-1

Cover image for Neverwhere by Neil Gaiman and Illustrated by Chris RiddellI’ve owned a copy of this novel for some time without getting around to reading it, but this fall the kind folks at HarperCollins sent me a copy of a new edition illustrated by frequent Gaiman collaborator Chris Riddell (see also The Sleeper and the Spindle). The new edition contains the author’s lightly edited preferred text, and is newly illustrated for the book’s twentieth anniversary. It also appends the short story “How the Marquis Got His Coat Back.”  Richard Mayhew is an entirely ordinary London businessman, whose spur of the moment decision to help a young girl in need causes him to slide through the cracks of reality, and into the dark realm of London-Below. But to be honest, Richard Mayhew is the least interesting or memorable part of Neverwhere. He is merely the reader’s access point to a uniquely atmospheric world just sideways from our own. Door is the last scion on a Neverwhere family endowed with unique abilities, and some of the residents of London’s underworld will stop at nothing to catch her and take advantage of her powers. Full of memorable villains, and unusual allies, I can’t believe I waited this long to read Gaiman’s earliest solo novel, but Riddell’s illustrations made it well worth the wait!

Categories: Fantasy

The Jane Austen Project

Cover image for The Jane Austen Project by Kathleen A. Flynn When Rachel Katzman and Liam Finucane arrive in England in 1815, it is by unusual means, and with an even more unusual mission. Sent back in time from a somewhat dystopian near-future, they are charged with identifying the cause of Jane Austen’s untimely demise in 1817 at the young age of 41, and with recovering and bringing back her lost manuscript of The Watsons, as well as her letters to her sister Cassandra. This top-secret mission is known as The Jane Austen Project, and it has one very important rule; they must change the future as little as possible while achieving their objectives, or risk being stranded in Regency England forever. With this highly unusual premise, copy editor and ardent Austenite Kathleen A. Flynn has captured something of Austen’s tone and pacing, without trying to entirely mimic her style. The suspense of the narrative caught me by surprise, and I found myself barely able to put this novel down. This was in spite of the fact that there is a fair bit of set up involved in getting two people believably situated upper-class residents of 1815 London, and then into Austen’s family circle. Rachel is in the unenviable position of flirting with Henry Austen, while also getting to know her partner Liam, who is—awkwardly—posing as her brother for the purposes of the trip. Highly recommended for fans of time travel fiction that is more about the destination than the science of such an endeavour.

Categories: Science Fiction

City of Brass

Cover image for City of Brass by S. A. ChakrabortyDespite her abilities as healer, plying her con on the streets of French-occupied Cairo, Nahri has never really believed in magic. But when she stages an exorcism for a disturbed child, she accidentally summons a djinn who claims that she is that last descendant of the Nahids, the former rulers of the hidden djinn city of Daevabad. With murderous ifrits close on their heels, Dara vows to return Nahri to the home of her ancestors. But far from offering safety, Daevabad is a nest of politics that put the streets of Cairo to shame. While Nahri is a canny operator, she is naïve to the rules and traditions of her ancestors. The stand out feature of this novel is the complex dynamic S.A. Chakraborty has created between the different magical beings of this world, and even within the ranks and classes of the djinn themselves. In particular, the shafit—part human djinn—are an underclass poised on the edge of revolt. City of Brass was an utterly gripping novel from start to finish, but the last few pages introduced several plot twists that have me waiting with great impatience for The Kingdom of Copper to be released in 2018. Thanks to the fine folks at Harper Voyager, who provided me with an advance copy of this novel!

Categories: Fantasy

Honourable mentions also go out to Leigh Bardugo and Gail Carriger, as I finished reading series of theirs that I started last year. I utterly enjoyed both Crooked Kingdom, and The Parasol Protectorate, but as I’ve named books from those worlds to my top five in previous years, I decided to present a more varied list for those looking for my Top Picks. That’s it for fiction for 2017. Check back later for my non-fiction list!

Fall 2017 Fiction Mini-Reviews

Hey there, stranger! Yes, I know, it’s been a while. After a busy summer of travel, at the beginning of September my husband and I started the process of buying our first home.  We took possession at the end of October, and moved in November 1. It was a big change that has pretty much consumed my life for the last several months! I didn’t read as much as usual, and my writing time was eaten up by packing, packing, and more packing. Then the packing become unpacking, and things are slowly starting to get back to normal. Here are a few mini-reviews of some of what I read while I was away.

Exit, Pursued by a Bear

Cover image for Exit, Pursued by a Bear by E. K. Johnston by E.K. Johnston

ISBN  9781101994580

This YA novel is a loose modern retelling of Shakespeare’s The Winter’s Tale. Hermione Winters and her best friend Polly are newly elected co-captains of the Palermo Heights cheer leading team, heading into their senior year, and their final summer cheer camp at Camp Manitouwabing. But all of their plans for the summer are thrown off course when Herimione is drugged, raped, and left in the lake. The book is an interesting and deliberate divergence from the commonly experienced reality of many rape victims, in that Hermione enjoys a supportive family, and is helped by police and counselors. However, she faces controversy in the community, and the wrath of her ex-boyfriend, Leo, who blames her for what happened. Although the identity of Hermione’s assailant is unknown, this is not really a who-dunnit. Rather, it is an emotional chronicle of the consequences of rape, further magnified by the fact that anytime Hermione encounters a boy who was at camp, she must face the idea that he could be her rapist. The biggest standout of this book is the strong female friendship depicted between Hermione and Polly, who echoes Shakespeare’s Paulina.

Love and Other Consolation Prizes

Cover image for Love and Other Consolation Prizes by Jamie Ford by Jamie Ford

ISBN 9780525492580

This is Ford’s third historical novel, this time set in Seattle during the 1909 Alaska Yukon Pacific Exposition. Ford opens on the better remembered 1962 fair, and uses it to echo and reflect the main action of 1909. The plot was inspired by a fascinating newspaper clipping from the AYP Expo, advertising the fact that an orphan boy was one of the raffle prizes at the fair. The fate of the real boy is unknown, but in his novel, Ford imagines what might have become of a young half-Chinese boy named Ernest, whose winning ticket is sold to the madam of an infamous brothel. Raised in a Catholic orphanage, Ernest comes to the red light district as the temperance movement is surging in the city, and finds himself caught between the Japanese house girl, Fahn, and Madam Flora’s stubborn daughter, Maisie. As usual with Jamie Ford, I was most fascinated by the carefully incorporated local history. This seems to be his passion, and I often wonder what would happen if he tried his hand at non-fiction. (Disclaimer: I received access to an Advance Reader’s Copy of this book through the library where I work.)

The Turner House

Cover image for The Turner House by Angela Fluornoyby Angela Fluornoy

ISBN 9780544705166

Fluornoy’s debut novel is a complex family tale that follows how the thirteen Turner siblings must grapple with what to do with the house on Yarrow Street where they grew up after their mother is too old to live alone any longer. Fluornoy focuses on the oldest sibling, Charles, aka Cha-Cha, and the youngest, Lela, separated by more than twenty-three years in age, and eleven siblings. Cha-Cha is in therapy after having claimed to have seen a ghost, and Lela is struggling mightily to hide a gambling addiction. Flashbacks illuminate the history of their parents, Francis and Viola Turner, who came North to Detroit for the promise of a better life than the one the South offered its black citizens. Thematically, the book deals broadly with place, both the importance of the Turner family home, and the history that resides there, and also the city of Detroit. Fluornoy also addresses the legacy of addiction within and between generations of a family, and how families understand mental health and addiction more generally. The plot is slow moving, but the highlight is the complex family dynamic amongst the many siblings.

Six of Crows

Cover image for Six of Crows by Leigh Bardugoby Leigh Bardugo

ISBN 978-1-62779-212-7

“Geels looked at Kaz as if he was finally seeing him for the first time. The boy he’d been talking to had been cocky, reckless, easily amused, but not frightening—not really. Now the monster was here, dead-eyed and unafraid. Kaz Brekker was gone, and Dirtyhands had come to see the rough work done.”

Kerch is a land that worships gold and industry, and in this the slum rats of the Barrel are no different from the more supposedly more upstanding merchers of Ketterdam. Kaz Brekker has spent years building up the Dregs gang from nothing, creating the Crow Club, and laying a territorial claim to Fifth Harbour. With such a ruthless reputation, it is no surprise that a mercher might approach him with an unusual job, one that cannot be entrusted to just anyone. A Shu scientist has been captured by the Fjerdans, and is being held in the impregnable Ice Court. He holds the knowledge of a new drug, jurda parem, which can take Grisha power from miraculous to unimaginable, with terrible consequences, both for the Grisha, and for the world market. Kaz assembles a crew of his best pickpockets and thieves to travel to Fjerda during the Hringkalla festival, and attempt the impossible—breach the Ice Court, and extract Bo Yul-Bayur, before anyone else gets to him.

Kaz’s crew consists of six players, including himself. Inej, a Suli girl whose indenture to the Menagerie brothel was bought out by the Dregs thanks to her skills as an acrobat. Nina, a Grisha Heartrender stranded in Ketterdam by the Ravkan Civil War. Matthias, a disgraced Fjerdan druskelle—witch hunter—serving time in a Kerch prison thanks to Nina. Jesper, a Zemeni gunman with a dangerous fondness for gambling. And Wylan, a runaway mercher’s son with a talent for blowing things up.  Together, they might just have the right combination of talent and desperation to get the job done. All of the characters are teens, though they mainly read as much older, even accounting for their rough lives. However, this doesn’t particularly detract from the story.

Six of Crows is an extremely well-paced story, balanced between the past and the present, as well as action and character development. The present focuses on the heist, and how the group will extract Bo Yul-Bayur from Fjerda’s Ice Court. But Bardugo also carefully measures out backstory, slowly revealing how the boy Kaz Reitveld became the Barrel lieutenant Kaz “Dirtyhands” Brekker. Character development is married to plot development, as Nina and Matthias’ history plays a critical role, and leads to an unlikely alliance. We find out why Matthias was in Hellgate Prison, and how he got there. Before the crew can even head to Fjerda, they must break Matthias out of Hellgate, and convince him to betray his country and help them with the heist. Which might be somewhat difficult since he vowed to kill Nina Zenik if he ever escaped.

Six of Crows also represents an excellent continued development of the Grishaverse. Bardugo uses and expands the world she already built in her Grisha Trilogy, but this adventure takes an entirely different direction; it is a heist story in contrast to Alina’s epic. While most of the characters in the original trilogy were Grisha, here the cast represents a wider range of more diverse folk. Nina is decidedly not skinny, Kaz walks with a limp and uses a cane, Jesper and Wylan are queer, and Inej and Jesper are people of colour. They come from different countries and upbringings, and have very different dreams for what they will do with their share of the 30 million kruge haul.

Six of Crows also contains ample romance. Nina and Matthias have a fiery chemistry belied by their mortal enemy status. Inej secretly hopes that Kaz might one day return her feelings, while also doubting whether forming a relationship with him would be a good idea, or if he is even capable of such a thing. The cutest flirtation belongs to Jesper and Wylan, who only finally come around to directly acknowledging their interest in the heat of the heist, when plans have gone off the rails, and everyone is improvising. Wylan is the only one of the main six who is not a point of view character, and we do not get flashbacks for him or Jesper, but I hope their story will be further developed in Crooked Kingdom, which I cannot wait to read.

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