Tag: Erin Morgenstern

The Starless Sea

Cover image for The Starless Sea by Erin Morgensternby Erin Morgenstern

ISBN 978-0-385-5412-3

 “A boy at the beginning of a story has no way of knowing that the story has begun.”

Zachary Ezra Rawlins is a graduate student who studies video games, but has a passion for story and narrative in all its forms. Visiting the nearly-deserted library between terms, Zachary stumbles across an old book of short stories, an improperly catalogued and mysterious donation to the university’s collection. But what is truly remarkable about this book is that Zachary is in it; the third story perfectly describes a real incident from his childhood, one that he never dared to speak of, let alone commit to paper. Yet here it is, recorded in a book whose publication clearly predates his birth. And if his real story is recorded in Sweet Sorrows, is he to assume that the other stories, of pirates and bees, guardians and rabbits, owls and acolytes are true as well? And what then was recorded on the missing pages that have been torn from the book? Once, when he was still a child, Zachary found the magical door to the place he always longed for, but he didn’t open it, for fear that the magic would not be real. When he went back the next day, the door was gone. Now, his door is calling to him once more, but this time there are those who do not want him to him to open it, because a war is raging beyond the threshold, and Zachary may be the key to victory, or destruction.

Coming eight years on the heels of Erin Morgenstern’s debut novel The Night Circus, The Starless Sea is divided into six books within books. At first, alternating chapters from Zachary’s perspective are interleaved with fragments from his mysterious library find. As his adventure progresses, he encounters two more magical volumes, including Fortunes and Fables, which belongs to the handsome and enigmatic Dorian, and The Ballad of Simon of Eleanor, which tells the story of a love out of time, and a man who was lost because of it. Eventually, the missing fragments of Sweet Sorrows begin to surface. Later still, Morgenstern layers in excerpts from the diary of Zachary’s friend Kat, one of the few people who seems to notice or care when he goes missing from the university in pursuit of answers, desperate to discover the provenance of the book, and ascertain once and for all whether the world it describes might be real and reachable.

The Starless Sea is the story of a magical library, but also something much more impossible than that. It is a story of doorways, and possibilities, of choices and their consequences. Zachary rejects the call of his door on the first encounter (as heroes are wont to do), only to have to live with the regret until he is not entirely sure that the door was ever real at all. It is a story that is less about individual people than it is about our collective propensity for storytelling, and our need to make meaning, and myth, and symbol into impossibly overlapping confections without beginning or end. It is about our love affair with the concept of Fate, and our fear that it might be real, and the way we both cling to it, and lash out against it. If you love stories more than you love breathing, this is the book for you.

A colleague mentioned to me that she tried to listen to The Starless Sea as an audiobook and gave up. With short chapters and quickly shifting narrators, and blurring boundaries between reality and story, I’m not sure that this is a book that lends itself well to the audio format. It is a story that demands your full attention from start to finish. Giving it anything less can only diminish the enjoyment of putting together the pieces to see the full mosaic. It is a story told in fragments that add up to something greater than the sum of their parts. The Starless Sea feels whimsical but its multilayered magic is obviously painstakingly constructed.

I started out reading this book in giant gulps, impatient to devour it whole, only to slow as the number of remaining pages dwindled, both eager to discover how it would end—“the story wanted an ending. Endings are what gives stories meaning”—and reluctant for it to be over, even if “the world is strange and endings are not truly endings.” Fortunately, this is undoubtedly the type of book that will reward rereading, and I look forward to being consumed by it again sometime soon.

Looking for more magical doors? Try Every Heart a Doorway by Seanan McGuire

Looking for more magic hiding in plain sight? Try Ninth House by Leigh Bardugo

Looking for more magic libraries? Try Sorcery of Thorns by Margaret Rogerson

Happy Halloween!

Happy Halloween fellow book lovers! For the last couple years, my book’o’lanterns have been based on current reads, but this year I went classic with a tribute to Sherlock Holmes:

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Last year I featured a carving inspired by Maggie Stiefvater’s The Raven Boys:

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And my inaugural book’o’lantern was based on the paperback cover of  The Night Circus  by Erin Morgenstern:

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Here are some spooky and supernatural reads for the season:

Hansel and Gretel by Neil Gaiman

The Coldest Girl in Coldtown by Holly Black

Dead Set by Richard Kadrey

Dead Witch Walking by Kim Harrison

 

 

Top 5 Fiction Reads of 2012

These are my favourite fiction titles read (not necessarily published) in 2012. Click the title for links to full reviews, where applicable. My top 5 non-fiction titles for the year will go up Thursday.

1Q84 (978-0307593313) 

Cover image for 1Q84In 1984, personal trainer Aomame disembarks from a taxi in the middle of a Tokyo Expressway and climbs down an emergency exit in order to make an important appointment. But the world at the bottom of the emergency exit is subtly different from the world she left behind. Also in Tokyo, author Tengo is approached by a publishing contact with an offer to ghostwrite a beautiful and unusual fantasy novel written by a peculiar seventeen year old girl with a troubled past. Haruki Murakami weaves elements of mystery, fantasy and dystopia together brilliantly to reveal the connection between Aomame and Tengo and their seemingly disparate stories.

Categories: Fantasy, Dystopia


Lamb
(978-0380813810)

Cover image for Lamb by Christopher MooreWith his signature wit and humour, Christopher Moore brings a bright new perspective to the life of Christ and the many myths surrounding it by retelling it from the point of view of his dedicated and clumsy childhood pal, Biff. Biff has been reincarnated to tell the tale of the missing years of Christ’s life, between his childhood and his ministry. Their travels through Asia might more aptly be styled misadventures, but they all lead back to the fate that waits for “Joshua” on Calvary. Moore’s Gospel according to Biff is irreverent and hilarious.

Categories: Humour, Mythology

The Night Circus (978-0307744432)

Cover Image for The Night Circus by Erin MorgensternTwo great magicians with a long-standing rivalry pit their apprentices against one another in a battle of skill and wits with an unusual setting: a magical black and white circus which operates only at night. Celia and Marco are bound to the struggle but their growing feelings for one another and frustration with their mentors cause them to rebel against their fate. And the luminous circus setting in which they face off has serious consequences for the other denizens of the circus as the competition stretches on. Erin Morgenstern brings the circus to life in the mind’s eye in stunning detail.

Categories: Fantasy, Romance

The Wolf Gift (978-0-307-59511-9)

Cover Image for The Wolf Gift by Anne RiceReturning to the world of supernatural fiction, Anne Rice puts her own spin on the legend of the werewolf. Reuben Golding is a young reporter from a wealthy San Francisco family. He has a budding career and beautiful girlfriend, but his life is turned on its head when he is invited to Nideck Point, a majestic and isolated manor on the Mendocino coast. His hostess is murdered, and he is ravaged by a werewolf. When he transforms himself, he is compelled to answer the cries of suffering innocents, and is left to struggle with the moral implications of the violence he inflicts on their tormentors. Anne Rice blends philosophic introspection and supernatural mystery along with her unusual talent for describing houses and landscapes. The sequel, The Wolves of Midwinter, has been announced for October 2013.

Categories: Fantasy, Horror

Song of Achilles (978-0062060624)

Cover image for Song of Achilles by Madeleine MillerThe legend of Achilles and his role in the fall of Troy are exquisitely reimagined by Madeleine Miller, told from the perspective of his dedicated companion, Patroclus. Former prince Patroclus is an unwanted exile in the court of King Peleus. Despite his dark past, Patroclus is gentle and disinclined towards the martial arts he is expected to master. Achilles is a natural warrior, destined for great conquests by the ambition of his goddess mother, Thetis. Their opposing natures bind them together into a steadfast friendship that grows into a romance that will see Patroclus follow Achilles to the walls of Troy, despite Thetis’s determined efforts to drive them apart. Miller delivers a moving tale of friendship and romance doomed by its setting on the stage of history.

Categories: LGBT, Mythology, Romance

The Night Circus

Cover Image for The Night Circus by Erin Morgenstern by Erin Morgenstern

ISBN 978-0307744432

In her fiction debut, multimedia artist Erin Morgenstern invites the reader into a fantastic world that comes to life on the page. Morgenstern makes unusually adept use of intermittent second person narration to personally invite the reader into a magnificent spectacle in which a nocturnal, black and white circus serves as the venue for a magical faceoff between the pupils of two rival magicians with different teaching philosophies. However, the instructors’ plans are complicated when their apprentices, Celia and Marco, fall in love.

The great strength of this novel is the development of the circus mise en scène. Ostensibly set in the late nineteenth and early twentieth centuries, the action of The Night Circus takes place largely within the bounds of Le Cirque des Rêves, insulated from the passage of time. While the world outside the circus—with the exception of Chandresh’s parties—is stripped down and barely described, attention is lavished upon the details of the exhibition ground. Lush descriptions allow the reader to effortlessly construct the circus in the mind’s eye as Morgenstern beautifully captures all five senses in words. So lovingly is the circus described that it feels more real and immediate than the characters themselves.

Indeed, the primary criticism of The Night Circus is that the lead characters are not as fully fleshed out as they might be. Although they are the protagonists, we know much more about Celia and Marco’s powers than their personalities. Their romance has a certain sense of inevitability; Celia and Marco seem to be in love not because their characters are drawn to one another, but because the plot and the setting demand it. This is put best by the mysterious contortionist, Tsukiko, who comments that she has “been surrounded by love letters you two have built each other for years, encased in tents.” However, the less than relatable protagonists are amply supported by a stunning cast of secondary characters

The supporting cast is rounded out by the mercurial visionary behind the Circus, Chandresh, the ardent circus follower and clockmaker, Friedrick Thiessen, the twins born at midnight upon the opening of the circus, Poppet and Widget, and their friend, the young circus devotee, Bailey. Chandresh’s story allows Morgenstern to examine the implications of the complex duel setting for those involved in its design. Herr Thiessen and Bailey exemplify the innocent magic of the circus for the outside observer. Poppet and Widget are children who have never known life outside the circus, and indeed are inextricably bound to it as more than mere performers. Morgenstern offers a refreshing depiction of gender roles in fantasy, giving us a world where “most maidens are perfectly capable of saving themselves” and it is quite all right for boys to wonder “why it seems that only girls are ever swept away from their mundane lives on farms by knights or princes or wolves.”

Moving backwards and forwards through time from the inception of the circus to the crisis of the magical competition, Morgenstern weaves together a complex structure which enhances the mystery and tension of the circus without confusing the attentive reader. The magic of the circus makes this book impossible to put down, even when the pacing lags a little. Readers expecting a magical version of The Hunger Games will be sorely disappointed, as the toll of this battle is largely emotional; The Night Circus is more theatrical exhibition than gladiatorial arena.

The Night Circus Jack o Lantern