Essays, Graphic Novel, History, Humour, Memoir, Non-Fiction, Pandemic, Top Picks, Young Adult

Top 5 Non-Fiction Reads of 2017

These are my favourite non-fiction titles read or reviewed (not necessarily published) in 2017. Click the title for a link to the full review where applicable. See the previous post for my top five fiction reads of the year.

Born a Crime

ISBN 978-0-385-68922-9

Cover image for Born a Crime by Trevor NoahWhen Trevor Noah was born in South Africa in 1984, his existence was literally illegal, proof that his black, Xhosa mother and his white, Swiss-German father had violated the Immorality Act of 1927, one of the many laws defining the system known as apartheid. Noah is observant, and able to clearly convey the absurdity of the system he was born under while also explaining its function for a North American audience that is probably not terribly familiar with the ins and outs of apartheid. In addition to an interesting life, Noah also has a good sense of pacing and narrative style that make his recollections particularly illuminating. Noah is known as a comedian, successor to Jon Stewart as host of The Daily Show, but while there is an understated humour present in Born a Crime, for the most part it is memoir, not comedy. The humour comes mostly in the form of sly comments, though some of the stories are indeed laugh out loud funny. I actually read this book twice this year, once in print, and again as an audiobook, and would highly recommend it in either form.

Categories: Memoir, Humour

March: Book Two

ISBN 978-1-60309-400-9

Cover image for March: Book Two by John Lewis and Andrew AydinThis is a shout out to the entire March Trilogy, written by Congressman John Lewis with former congressional aid Andrew Aydin, and art by Nate Powell. The trilogy captures Lewis’ experiences as a civil rights leader and organizer, before going on to represent Georgia’s fifth congressional district for more than thirty years. In March: Book Two, Lewis and Aydin really master the structure of the frame narrative, which was a little stilted in the first volume. Lewis’ recollections of his time as an activist are framed by memories of Inauguration Day 2009, an especially striking juxtaposition with the violence that met peaceful civil rights protests. Book Two powerfully covers key events in the movement’s history, such as the lunch counter protests, the Freedom Rides, and the March on Washington.

Categories: Memoir, History, Graphic Novel

Here We Are: Feminism for the Real World

ISBN 978-1-61620-586-7

Cover image for Here We Are, Edited by Kelly JensenFeminism is a concept that has been loaded down with a lot of cultural baggage. In this collection of essays, poems, comics, and lists, editor Kelly Jensen has pulled together a selection of pieces for a teen audience that aim to clarify misconceptions, share experiences, and reinforce empathy for a variety of journeys and perspectives. Here We Are contains enough broad variety that no doubt different pieces will speak to different readers. It is reaffirming to read about people who share your experiences, and enlightening to read about different ones. Interspersed with the longer essays are short, fun pieces, such as feminist music playlists, poems, and comics. There were only a few things I thought were notably absent, such as a piece about affirmative consent to complement the discussion of rape culture. The chapter on romance and sexuality could also have used an essay about asexuality and aromanticism. Overall, however, I was pleased with the diversity of this introduction to feminism, and would heartily recommend it.

Categories: Young Adult, Essays

A Mother’s Reckoning

ISBN 978-1-10190-276-9

Cover image for A Mother's Reckoning by Sue KleboldIt is with caution that I include on this list a book that has stuck with me, perhaps even haunted me, since I read it this fall. Sue Klebold’s memoir is an intimate and gut-wrenching look inside the home of an ordinary little boy who grew up to be a high school mass murderer. When her son committed suicide in the school library following the rampage, she was left with more questions than answers, and a difficult public reckoning that continues to flare up to this day. Klebold does her best to recount the events in a way that is compatible with existing guidelines for responsible reporting on such tragedies in order to prevent imitation, something which she sharply calls out the media for failing to do in their treatment of the events at Columbine High School. It is a harrowing read because it shows people who commit terrible acts of evil as human, leaving aside the question of whether those who do monstrous things need to be humanized. I can’t imagine how upsetting this account might be for anyone who lost loved ones at Columbine, and it is for this reason that place a caveat on my recommendation of this title. Nevertheless, I can’t stop thinking about this book.

Categories: Memoir

How to Survive a Plague

ISBN 978-0-30770-063-6

Cover image for How to Survive a Plague by David FranceThis history is an insider’s look at the activists who advocated for AIDS treatments and victim’s rights in the early days of the epidemic. France’s account centers on New York, and the founding of such organizations as ACT UP and the Treatment Action Group, as well as the safe sex movement. France truly makes the reader feel the uncertainty and fear of the early days of the AIDS epidemic, when even the cause of the disease was a mystery. How to Survive a Plague also delves into the bureaucracy and homophobia that delayed the development of effective AIDS treatments by researchers and public health officials. Desperation led to thriving experimental drug undergrounds without proper oversight or data collection. Especially if you were born after AIDS went from being a death sentence to a manageable health condition, this is an essential and illuminating read about a key aspect of LGBTQ+ history.

Categories: History, LGBTQ+, Pandemic

And that’s it for 2017. See you all  on the other side.

Essays, Non-Fiction, Young Adult

Here We Are: Feminism for the Real World

Cover image for Here We Are, Edited by Kelly JensenEdited by Kelly Jensen

ISBN 978-1-61620-586-7

“Whether you identify as a feminist now or are curious about how people come to label themselves as feminists and own that identity, these pieces will help you begin your journey through the various paths, influences, and experiences toward feminism.”

Feminism is a concept that has been loaded down with a lot of cultural baggage. This collection of essays, poems, comics, and lists pulls together a selection of pieces for a teen audience that aim to clarify misconceptions, share experiences, and reinforce empathy for a variety of journeys and perspectives. The contributors include men and women, cis and trans, from different backgrounds and social experiences, touching on everything from race, to mental health, to disability. The scrap-book style collection strikes a balance, speaking to teens at an introductory level without being condescending, while addressing everything from body image to sexuality to relationships and pop culture.

Here We Are contains enough broad variety that no doubt different pieces will speak to different readers. It is reaffirming to read about people who share your experiences, and enlightening to read about different ones. One of my personal favourites was “The Choice is Yours” by Kody Keplinger, about her long-standing decision not to have kids. Keplinger ties the expectation for women to reproduce, and the charge of selfishness against those who voluntarily do not, into the way women are socialized to put the needs of others before their own. Like Keplinger, I first said the words “I don’t want to have kids” at a fairly young age and, like Keplinger, was immediately told “You’ll change your mind.” I wish I could bookmark this essay, and put Here We Are in the hands of my twelve-year-old self, because it would have meant everything to finally hear an adult woman say that my decision was both valid and viable. To borrow another quote from Ashley Hope Pérez’s essay, “It would have changed everything, it would have changed nothing, it would have made all the difference in the world.”

Fellow book lovers will probably also strongly relate to the essay “Reading Worthy Women.” In high school, Nova Ren Suma was excited to take the popular World Humanities course. The piece chronicles her heartbreaking realization that there were no women on the syllabus, and when she stayed after class to confront her teacher, he informed her that there were no women worthy of being on his syllabus. This kicked off a five year period of rebellion, which lasted through college, during which time, outside of school, she only read books written by women because “It’s not a silly pursuit to read beyond what’s handed to you, to seek out new voices and leap over the usual books everyone’s already talking about and see what you can find on your own.” The concept of pushing the boundaries of the canon is an important one, which is also present in Brenna Clarke Gray’s piece “Choose Your Own Adventure” about fandom as a feminist act.

Book Riot editor and Stacked writer Kelly Jensen has pulled together a collection of essays representing the many and diverse facets of feminism, creating an intersectional introduction to the movement. Interspersed with the longer essays are short, fun pieces, such as feminist music playlists, a list of “Ten Amazing Scientists (Who Also Happen to Be Women)”, as well as songs, poetry, and a list of the best girl friendships in fiction. While straight-up essays are the most common type of piece, Wendy Xu’s entry “The Princess and the Witch” is in the form of a comic, and there are several interviews as well. Most of the contributions are original, though some such as Roxane Gay’s “Bad Feminism: Take Two” and Amandla Stenberg’s “Don’t Cash Crop My Corn Rows” are either reproductions or adaptations of previously published material. There were only a few things I thought were notably absent, such as a piece about affirmative consent to complement the discussion of rape culture. The chapter on romance and sexuality could also have used an essay about asexuality and aromanticism. Overall, however, I was pleased with the diversity of this introduction to feminism, and would heartily recommend it.